Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-12-03T20:28:06.955Z Has data issue: false hasContentIssue false

Purcell's Chamber Music

Published online by Cambridge University Press:  01 January 2020

Get access

Extract

With the forthcoming publication of volume xxxi of Purcell's works, comprising his famous Fantazias and other Instrumental Music, the Purcell Society will at last have completed its edition of all his known chamber music. The Society's scores of the two printed sets of trio-sonatas were issued more than half a century ago, but, like most scholarly editions of the nineteenth century, they do not always accord with our current views of how such editions should be prepared and presented. Indeed, it seems to me that musical scholars would save themselves a great deal of mental anguish if they worked on the assumption that any publication or history of earlier music will at best hold good only for about thirty years after it is first published. This assumption is demonstrably true for the two centuries that have elapsed since Padre Martini wrote the first volume of his Storia della Musica, and I do not think any of us will live to see it change.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1958

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The volume was published in May, 1959.Google Scholar

2 The Techniques and Forms of Purcell's Sonatas', Music & Letters, xl (1959), 109.CrossRefGoogle Scholar

3 Nos. 1, 2, 3, 7, 8, 9, 10, and fragments of No. 4.Google Scholar

4 New editions of this and of Sonata X have been published by Stainer & Bell; the continuo-realization is primarily intended for organ.Google Scholar

5 Argo records RG 112 and 113. The 1683 set is available on Argo records 84 and 85.Google Scholar

6 British Museum Add. MS 33,236. The pieces were first discussed by Marylin Wailes in her article ‘Four Short Fantasies by Henry Purcell’, The Score (June, 1957), p. 59. The article is accompanied by a facsimile of one page, and by scores of all four pieces.Google Scholar

7 Purcell's Art of Fantasia’, Music & Letters, xxxiii (1952), 341.CrossRefGoogle Scholar