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The Pibroch Repertory: Some Research Problems

Published online by Cambridge University Press:  01 January 1975

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Extract

The pibroch (derived from Scots Gaelic pìòbaireachd, ‘piping’) is an extended composition in theme and variation form for the Scottish Highland bagpipe. Pibrochs comprise a category of Gaelic music known as ceòl mór, ‘great music’, as opposed to the repertory of ceòl beag, ‘small music’, or dance tunes, song airs and military marches.

Type
Research Article
Copyright
Copyright © 1979 The Royal Musical Association and the Authors

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References

1 Harold Powers, 'India, Subcontinent of, I, 2 (ii), Grove's Dictionary of Music and Musicians, sixth edition (London, forthcoming)Google Scholar

2 Finlay MacNeill and Jake A MacDonald, ‘Ceol Mor and Gaelic Song’, Proceedings of the Piobaireachd Society Conference (1973), 48–65; Alexander John Haddow, ‘The Mackay Tunes— the Story of some Sutherland Piobaireachd’, Proceedings of the Piobaireachd Society Conference (1974). 4251.Google Scholar

3 Joseph MacDonald, A Compleat Theory of the Scots Highland Bagpipe (c. 1762), Edinburgh University Library, MS La. 3. 804.Google Scholar

4 Donald MacDonald, A Collection of the Ancient Martial Music of Caledonia called Piobaireachd (Edinburgh, 1822)Google Scholar

5 The effect on piping of this period is discussed in detail by Donald MacDonald, op cit., preface, J P Grant, ‘Canntaireachcd’, Music & Letters, vi (1925), 54–62, Major-General Charles Simeon Thomason, Ccol Mor. a Collection of Piobaireachd, as Played on the Great Highland Bagpipes (London, 1900), and Ceol Mor Legends, Edinburgh, National Library of Scotland, MS 3749 (c 1900) The question is further reviewed by Peter Cooke, ‘Problems of Notating Pibroch’, Scottish Studies, xvi/1 (1972), 4159.Google Scholar

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