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REFRAMING HEARING AIDS – EXPLORING THE DESIGN SPACE OF ANALOGUE FASHIONABLE HEARING AIDS FOR USERS WITH MILD HEARING IMPAIRMENTS

Published online by Cambridge University Press:  19 June 2023

Hermann Klöckner  and
Martin Wiesner
Hermann Klöckner
Affiliation:
Anhalt University of Applied Sciences
Martin Wiesner*
Affiliation:
Anhalt University of Applied Sciences
*
Wiesner, Martin, Otto-von-Guericke-University Magdeburg, Germany, [email protected]

Abstract

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Contemporary digital in ear hearing aids are of significant importance for social participation of users with hearing impairments. Through the advancement of technology, extreme miniaturisation of these devices has been achieved. However, by no means all people who could benefit from a hearing aid actually use one. Cormack and Fortnum state that the majority (80%) of adults aged 55–74 years who would benefit from a hearing aid, do not use them. This is in line with Arnold and Makenzie who estimate a gap of a factor of 5 between people who would benefit from the use of a hearing aid than actually do acquire and use one. Even according to the statistics from the Federal Guild of Hearing Aid Acousticians in Germany, only 3.7 million use a hearing aid out of 5.4 million who have an induced hearing loss. This article explores the design space of fashionable analogue contemporary hearing aids.

Keywords

Inclusive designOpen innovationHearing AidGenerative DesignUser centred design
Type
Article
Information
Proceedings of the Design Society , Volume 3: ICED23 , July 2023 , pp. 3045 - 3054
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
The Author(s), 2023. Published by Cambridge University Press

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