Review
Annihilating Noise. By Paul Hegarty. New York: Bloomsbury, 2021. 288 pp. ISBN 978-1-5013-3544-0
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- 30 August 2022, pp. 271-272
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Ivo Papazov's Balkanology. By Carol Silverman. New York: Bloomsbury Academic, 331/3 Europe Series. 2021. 161 pp. ISBN: 9781501346309
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- 19 May 2022, pp. 120-122
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Representing Islam: Hip-hop of the September 11 Generation. By Kamaludeen Mohamed Nasir. Bloomington, IN: Indiana University Press, 2020. 205 pp. ISBN 978-0-253-05304-6
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- 26 September 2022, pp. 409-411
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Middle Eight
Resisting the criminalisation of rap
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- 02 November 2022, pp. 558-563
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Review
Scary Monsters. Monstrosity, Masculinity and Popular Music. By Mark Duffett and Jon Hackett. New York: Bloomsbury Academic, 2021. ISBN 978-1-501-31337-0
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- 26 September 2022, pp. 411-413
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Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007). By Dan Ozzi. New York: Mariner Books, 2021. 400 pp. ISBN 978-0-358-24430-1 - Cometbus #59: Post-Mortem. By Aaron Cometbus. New York: Cometbus, 2020. 139pp. Distributed by Microcosm Publishing (no ISBN)
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- 30 August 2022, pp. 273-275
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In Concert: Performing Musical Persona. By Philip Auslander. Ann Arbor, MI: University of Michigan Press, 2021. 293 pp. ISBN 9780472054718.
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- 19 May 2022, pp. 122-124
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Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945. Edited by Elodie A. Roy and Eva Moreda Rodríguez. London: Routledge, 2021. xv+268 pp. ISBN : 978-1-032-05711-8
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- 09 January 2023, pp. 564-566
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Everyone Loves Live Music. A Theory of Performance Institutions. By Fabian Holt. Chicago, IL: Chicago University Press, 2020. 344 pp. ISBN 9780226738543.
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- 19 May 2022, pp. 125-126
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Leonard Cohen: The Mystical Roots of Genius. By Harry Freedman. London: Bloomsbury, 2021. 274 pp. ISBN 978-1-4729-8727-3 - From This Broken Hill I Sing to You. By Marcia Pally. London: T&T Clark, 2021. 181 pp. ISBN 978-0-567-69476-8
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- 30 August 2022, pp. 275-279
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Weird American Music. By Dorothea Gail. Universitätsverlag Winter Heidelberg, 2018. 413 pp. ISBN 978-3-8253-6956-9
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- 29 September 2022, pp. 413-415
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Record Cultures: The Transformation of the U.S. Recording Industry. By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020. 320 pp. ISBN 978-0-472-03877-0.
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- 26 September 2022, pp. 566-568
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Inventing Elvis. An American Icon in a Cold War World. By Mathias Haeussler. New York: Bloomsbury, 2020. 240 pp. ISBN 9781350107670
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- 28 October 2022, pp. 568-570
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A Band with Built-in Hate: The Who from Pop Art to Punk. By Peter Stanfield. London: Reaktion Books. 2021. 280 pp. ISBN 978-1-789-14277-8
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- 13 October 2022, pp. 416-417
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Iranian Music and Popular Entertainment: From Motrebi to Losanjelesi and Beyond. By G.J. Breyley and Sasan Fatemi. London: Routledge, 2016. 230 pp. ISBN: 978-0-415-57512-6
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- 19 May 2022, pp. 127-129
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Front Cover (OFC, IFC) and matter
PMU volume 41 issue 2 Cover and Front matter
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- 30 August 2022, pp. f1-f4
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PMU volume 41 issue 1 Cover and Front matter
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- 19 May 2022, pp. f1-f4
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Back Cover (IBC, OBC) and matter
PMU volume 41 issue 2 Cover and Back matter
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- 30 August 2022, pp. b1-b3
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Front Cover (OFC, IFC) and matter
PMU volume 41 issue 3 Cover and Front matter
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- 24 November 2022, pp. f1-f2
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PMU volume 41 issue 4 Cover and Front matter
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- 09 January 2023, pp. f1-f2
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