Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-24T06:31:07.375Z Has data issue: false hasContentIssue false

Scary Monsters. Monstrosity, Masculinity and Popular Music. By Mark Duffett and Jon Hackett. New York: Bloomsbury Academic, 2021. ISBN 978-1-501-31337-0

Review products

Scary Monsters. Monstrosity, Masculinity and Popular Music. By Mark Duffett and Jon Hackett. New York: Bloomsbury Academic, 2021. ISBN 978-1-501-31337-0

Published online by Cambridge University Press:  26 September 2022

Oliver Lovesey*
Affiliation:
University of British Columbia, Canada

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Cohen, J.J. 1996. ‘Monster culture (seven theses)’, in Monster Theory: Reading Culture, ed. Cohen, J.J. (Minneapolis, MN, University of Minnesota Press), 325CrossRefGoogle Scholar
Hagan, J. 2017. Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine (New York, Knopf)Google Scholar
O'Farrell, M. 2019. I Am, I Am, I Am: Thirteen Brushes with Death, A Memoir (Toronto, Vintage)Google Scholar