Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-30T21:36:00.953Z Has data issue: false hasContentIssue false
  • English
  • Français

The very best of James Brown?

Published online by Cambridge University Press:  09 April 2002

Charlie Ford
Get access Rights & Permissions [Opens in a new window]

Abstract

Certain critical voices, typically in the world of jazz, have suggested that reissuing alternate takes can be both aesthetically and ethically disrespectful to the artists' and producers' original decisions about the relative value of the various takes. This point of view is, for example, exhibited on ESP discs, which all bear the slogan ‘THE ARTISTS ALONE DECIDE WHAT YOU WILL HEAR ON THEIR ESP-DISK’. In other words, when Charlie Parker recorded ‘Parker's Mood’, and the studio team decided to issue only one take, should we be able to listen to the other four that they rejected, but which were all released by Savoy on The Charlie Parker Memorial Albums?

Type
Brief Report
Information
Popular Music , Volume 21 , Issue 1 , January 2002 , pp. 127 - 131
Copyright
© 2002 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)