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Trends and taste in Japanese popular music: a case-study of the 1982 Yamaha World Popular Music Festival*

Published online by Cambridge University Press:  11 November 2008

Judith Ann Herd
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Extract

The contemporary popular music audience in Japan is exposed to a large variety of music, both domestic and imported; tastes are well defined. In particular, such factors as: the singer's ‘image’, what I call maintaining a standard formula, ambiguity and sentimentalism can be pinpointed as important to the music's appeal. In spite of this, the similarities of Japanese popular music to Western musical styles can suggest that a conventional musical analysis will be sufficient for understanding this music. Thus, many critics who evaluate Japanese popular music usually consider it merely a parody of the ‘correct’ styles that they are accustomed to hearing. Concentrating merely on the musical analysis, however, underestimates the cultural factors that give Japanese popular music distinctive characteristics which are highly valued in Japan. To offset the shortcomings of such analysis, this article is an attempt to examine Japanese popular music in terms of those cultural factors most important to popular music genres. The first section is a general review of current trends in popular music in Japan, paying particular attention to the characteristics that make the music uniquely ‘Japanese’.

Type
Part 2. Audiences and Musical Tastes
Information
Popular Music , Volume 4 , January 1984 , pp. 75 - 96
Copyright
Copyright © Cambridge University Press 1984

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