Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-25T15:04:14.251Z Has data issue: false hasContentIssue false

Sampling the 1970s in hip-hop

Published online by Cambridge University Press:  10 March 2003

Abstract

Musical borrowings, or samples, have long been a means of creating lineage between hip-hop and older genres of African-American music such as funk, soul, and rhythm and blues. DJs who sample from this so-called ‘Old School’ attempt to link hip-hop to older, venerable traditions of black popular music. This article investigates the importance of 1970s pop and culture to hip-hop music. This era is depicted as a time in which African-American identity coalesced, and a new political consciousness was born. The primary source for images of the 1970s was and continues to be blaxploitation film, a genre of low-budget, black-oriented crime and suspense cinema. This article will detail how blaxploitation distilled certain societal concerns of the 1970s, and how in turn hip-hop feeds off blaxploitation both dramatically and musically, reusing its story lines and sampling its soundtracks.

Type
Research Article
Copyright
© 2003 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)