Hostname: page-component-6bf8c574d5-8gtf8 Total loading time: 0 Render date: 2025-02-17T15:21:59.593Z Has data issue: false hasContentIssue false
  • English
  • Français

Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity. Edited by Gavin Lee. New York: Routledge, 2018. 197 pp. ISBN 978-1-138-96005-3

Review products

Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity. Edited by Gavin Lee. New York: Routledge, 2018. 197 pp. ISBN 978-1-138-96005-3

Published online by Cambridge University Press:  03 January 2019

Kai Arne Hansen
Kai Arne Hansen*
Affiliation:
Inland Norway University of Applied Sciences, Elverum
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 38 , Special Issue 1: Music and Magic , January 2019 , pp. 174 - 176
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brett, P., Wood, E., and Thomas, G.C. (eds.) 1994. Queering the Pitch: The New Gay and Lesbian Musicology (New York, Routledge)Google Scholar
Solie, R. (ed.) 1993. Musicology and Difference: Gender and Sexuality in Music Scholarship (Berkeley, CA, University of California Press)Google Scholar
Whiteley, S. (ed.) 1997. Sexing the Groove: Popular Music and Gender (New York, Routledge)Google Scholar