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Published online by Cambridge University Press: 06 May 2024
This article examines the musical techniques used to create humour in the contemporary Broadway musical The Book of Mormon. Drawing on existing theories of parody, I argue that most songs initially rely on ‘straight’ and accurate imitations of other Broadway composers and pop-rock artists to set up an incongruity with the characters’ words or actions. There is a tendency then for these intertextual references to be layered or exaggerated, giving the joke in question an overblown quality. I adopt the novel label of a ‘musical caricature’ to describe such instances. This analysis thus presents a new methodological tool for studying musical humour; it also offers insights into The Book of Mormon's critical success as well as the writers’ ability to evade censure for the crude and potentially offensive thematic content.