The moral sense of the majorities: indecency and vigilance in Late-Victorian music halls

Extract

Although known as the ‘Naughty Nineties’, the last years of the nineteenth century are characterised by a succession of anti-liberal backlashes most notoriously including the Vizetelly prosecution of 1889 (principally involving Emile Zola's novels), Oscar Wilde's trials of 1895 (indirectly about homosexuality) and the pillorying of feminist reformers. Instead of becoming more sexually permissive, the English fin de siècle was in many respects deeply conservative, not only in bureaucratic responses to these sexual controversies but also in the creation of political organisations to represent and lobby for conventional moral values. Social purity campaigners' efforts to eradicate indecency in music-hall performance fits into this pattern, and provides insight into the continuity between the class politics of leisure reforms, control of artistic production and hegemonic sexual mores.