Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Mee, Kathleen
and
Waitt, Gordon
2003.
Editorial: Culture matters.
Social & Cultural Geography,
Vol. 4,
Issue. 2,
p.
131.
Gibson, Chris
and
Davidson, Deborah
2004.
Tamworth, Australia's ‘country music capital’: place marketing, rurality, and resident reactions.
Journal of Rural Studies,
Vol. 20,
Issue. 4,
p.
387.
Duffy, Michelle
2005.
Performing identity within a multicultural framework.
Social & Cultural Geography,
Vol. 6,
Issue. 5,
p.
677.
Wood, Nichola
Duffy, Michelle
and
Smith, Susan J
2007.
The Art of Doing (Geographies of) Music.
Environment and Planning D: Society and Space,
Vol. 25,
Issue. 5,
p.
867.
Gibson, Chris
and
Connell, John
2007.
Music, Tourism and the Transformation of Memphis.
Tourism Geographies,
Vol. 9,
Issue. 2,
p.
160.
Gibson, Chris
2007.
Music Festivals: Transformations in Non-Metropolitan Places, and in Creative Work.
Media International Australia,
Vol. 123,
Issue. 1,
p.
65.
PERMEZEL, MELISSA
and
DUFFY, MICHELLE
2007.
Negotiating the Geographies of Cultural Difference in Local Communities: Two Examples from Suburban Melbourne.
Geographical Research,
Vol. 45,
Issue. 4,
p.
358.
Matheson, Catherine M.
2008.
Music, Emotion and Authenticity: A Study of Celtic Music Festival Consumers.
Journal of Tourism and Cultural Change,
Vol. 6,
Issue. 1,
p.
57.
Waitt, Gordon
2008.
Urban Festivals: Geographies of Hype, Helplessness and Hope.
Geography Compass,
Vol. 2,
Issue. 2,
p.
513.
Browne, Kath
2009.
Naked and dirty: rethinking (not) attending festivals.
Journal of Tourism and Cultural Change,
Vol. 7,
Issue. 2,
p.
115.
Curtis, Rebecca Anne
2010.
Australia's Capital of Jazz? The (re)creation of place, music and community at the Wangaratta Jazz Festival.
Australian Geographer,
Vol. 41,
Issue. 1,
p.
101.
Waitt, Gordon
and
Duffy, Michelle
2010.
Listening and tourism studies.
Annals of Tourism Research,
Vol. 37,
Issue. 2,
p.
457.
Levickaitė, Rasa
2011.
CITY FESTIVAL - A TRADITIONAL CULTURAL EXPRESSION OF THE CREATIVE INDUSTRIES (THE CASE OF INTERNATIONAL CONTEMPORARY DANCE FESTIVAL “NEW BALTIC DANCE”) / MIESTO FESTIVALIAI – TRADICINĖ KULTŪRINĖ KŪRYBINIŲ INDUSTRIJŲ RAIŠKA (TARPTAUTINIO ŠIUOLAIKINIO ŠOKIO FESTIVALIO ”NAUJASIS BALTIJOS ŠOKIS“ ATVEJIS).
CREATIVITY STUDIES,
Vol. 4,
Issue. 1,
p.
36.
Kenny, Ailbhe
2011.
Mapping the context: insights and issues from local government development of music communities.
British Journal of Music Education,
Vol. 28,
Issue. 2,
p.
213.
Mackley-Crump, Jared
2013.
The Festivalization of Pacific Cultures in New Zealand: Diasporic Flow and Identity within Transcultural Contact Zones.
Musicology Australia,
Vol. 35,
Issue. 1,
p.
20.
Cannon, Alexander M.
2013.
When Charisma Sustains Tradition: Deploying Musical Competence in Southern Vietnam.
Ethnomusicology,
Vol. 57,
Issue. 1,
p.
88.
Duffy, Michelle
and
Waitt, Gordon
2013.
Home sounds: experiential practices and performativities of hearing and listening.
Social & Cultural Geography,
Vol. 14,
Issue. 4,
p.
466.
Kenny, Ailbhe
2014.
Practice through partnership: Examining the theoretical framework and development of a “community of musical practice”.
International Journal of Music Education,
Vol. 32,
Issue. 4,
p.
396.
Lashua, Brett
Spracklen, Karl
and
Long, Phil
2014.
Introduction to the special issue: Music and Tourism.
Tourist Studies,
Vol. 14,
Issue. 1,
p.
3.
Roda, Jessica
2015.
Pop Stars as Ambassadors of Sephardic Culture at the Festival Sefarad in Montreal.
Contemporary Jewry,
Vol. 35,
Issue. 1,
p.
73.