Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-09T15:49:46.833Z Has data issue: false hasContentIssue false
  • English
  • Français

Genre Publics. Popular Music, Technologies, and Class in Indonesia. By Emma Baulch. Middletown, CT: Wesleyan University Press, 2020. 227 pp. ISBN 978-0-81995-7964-5

Review products

Genre Publics. Popular Music, Technologies, and Class in Indonesia. By Emma Baulch. Middletown, CT: Wesleyan University Press, 2020. 227 pp. ISBN 978-0-81995-7964-5

Published online by Cambridge University Press:  19 May 2022

Kieran James
Kieran James*
Affiliation:
University of the West of Scotland, UK
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , Volume 41 , Issue 1 , February 2022 , pp. 116 - 118
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baulch, E. 2007. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali (Durham, NC, Duke University Press)Google Scholar
Denny, N. 2009. ‘In God we trust’, Rolling Stone, 49, pp. 22–9Google Scholar
James, K., and Walsh, R. 2015. ‘Bandung rocks, Cibinong shakes: economics and applied ethics within the Indonesian death-metal community’. Musicology Australia, 37/1, pp. 27–46CrossRefGoogle Scholar
James, K., and Walsh, R. 2018. ‘Islamic religion and death metal music in Indonesia’, Journal of Popular Music Studies, 30/3, pp. 129–52CrossRefGoogle Scholar
James, K., and Walsh, R. 2019. ‘Religion and heavy metal music in Indonesia’, Popular Music, 38/2, pp. 276–97CrossRefGoogle Scholar
Ong, A. 2006. Neoliberalism as Exception: Mutations in Citizenship and Sovereignty (Durham, NC, Duke University Press)Google Scholar
Wallach, J. 2007. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997–2001 (Madison, WI, University of Wisconsin Press)Google Scholar