Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T20:41:42.028Z Has data issue: false hasContentIssue false
  • English
  • Français

‘Ethnic’ music traditions in the USA (black music; country music; others; all)

Published online by Cambridge University Press:  11 November 2008

Charles Keil
Get access Rights & Permissions [Opens in a new window]

Extract

This is a brief meditation on ethnicity as a source of all powerful musical styles, as a kind of curse in the contemporary world of nation states, and as an ever more complex puzzle for every student of popular music to solve.

Type
Articles
Information
Popular Music , Volume 13 , Issue 2 , May 1994 , pp. 175 - 178
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Crafts, S., Cavicchi, D. and Keil, C. 1993. My Music (Hanover & London)Google Scholar
Feld, S. and Keil, C. In press. Music Grooves (Chicago)Google Scholar
Keil, C. 1966/1992. Urban Blues (Chicago)Google Scholar
Keil, C. 1979. Tiv Song (Chicago)Google Scholar
Keil, A. V., Keil, C. and Blau, R. 1992. Polka Happiness (Philadelphia)Google Scholar
Mellers, W. 1965. Music in a New Found Land (London)Google Scholar
Nietschmann, B. 1987. ‘The Third World War’, Cultural Survival, 11:3, pp. 1–16Google Scholar