Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-25T15:00:48.846Z Has data issue: false hasContentIssue false

Essay Review

Published online by Cambridge University Press:  17 November 2008

Dave Laing
Affiliation:
University of Westminster

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Essay Review
Copyright
Copyright © Cambridge University Press 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attali, J. 1985. Noise. The Political Economy of Music (Manchester)Google Scholar
Brackett, D. 1995. Understanding Popular Music (Cambridge)Google Scholar
Cohen, S. 1991. Rock Culture in Liverpool (Oxford)Google Scholar
Charters, S. 1975 (1959). The Country Blues (New York)Google Scholar
Frith, S. 1996. Performing Rites (New York)CrossRefGoogle Scholar
Gillett, C. 1996. The Sound of the City. The Rise of Rock'n Roll, 3rd edn. (London)Google Scholar
Harvey, D. 1989. The Condition of Postmodernity (Oxford)Google Scholar
Hebdige, D. 1979. Subculture. The Meaning of Style (London)Google Scholar
Lefebvre, H. 1991. The Production of Space (Oxford)Google Scholar
Massey, D. 1994. Space, Place and Gender (Minneapolis)Google Scholar
Negus, K. 1992. Producing Pop. Culture and Conflict in the Popular Music Industry (London)Google Scholar
Shank, B. 1994. Dissonant Identities. The Rock'n Roll Scene in Austin, Texas (Hanover, NH)Google Scholar
Whiteley, S. 1992. The Space Between the Notes: Rock Music and the Counter-Culture (London)Google Scholar