Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-23T21:44:01.306Z Has data issue: false hasContentIssue false
  • English
  • Français

Debate: Taking fun seriously

Published online by Cambridge University Press:  11 November 2008

Dave Harker
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Information
Popular Music , Volume 15 , Issue 1 , January 1996 , pp. 108 - 121
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allan, T. (ed.) 1863. A Choice Collection of Tyneside Songs (Newcastle)Google Scholar
Allan, T. (ed.) 1864. Tyneside Songs (Newcastle)Google Scholar
Allan, T. (ed.) 1873. A Choice Collection of Tyneside Songs (Newcastle)Google Scholar
Allan, T. (ed.) 1874. A Choice Collection of Tyneside Songs (Newcastle)Google Scholar
Allan, T. (ed.) 1891. Allan's Illustrated Edition of Tyneside Songs and Readings (Newcastle)Google Scholar
Armstrong, W.H. (ed.) n.d. Song Book – Containing 25 Popular Songs of the Late Thomas Armstrong (Chester-le-Street)Google Scholar
Bailey, P. 1978. Leisure and Class in Victorian England (London)Google Scholar
Bailey, P. (ed.) 1986. Music Hall: The Business of Pleasure (Milton Keynes)Google Scholar
Bradby, B. and Middleton, R. 1993. ‘Editorial note: new roots to interpretation’, Popular Music, 12/2, pp. v–viGoogle Scholar
Callinicos, A. 1989. Against Postmodernism (Cambridge)Google Scholar
Callinicos, A. and Simon, M. 1985. The Great Strike. The Miners' Strike of 1984–5 and Its Lessons (London)Google Scholar
Corvan, E. Broadsides. South Shields Public Library, and Newcastle University LibraryGoogle Scholar
Corvan, E. Broadsides. n.d. Corvan's Song Book, Numbers 1–4 (Newcastle)Google Scholar
Corven, E. 1850. Random Rhymes (Newcastle)Google Scholar
Eagleton, T. 1983. Literary Theory. An Introduction (Oxford)Google Scholar
Frith, S. 1978. The Sociology of Rock (London)Google Scholar
Frith, S. 1983. Sound Effects. Youth, Leisure and the Politics of Rock 'n' Roll (London)Google Scholar
Garofalo, R. 1993. ‘Whose world, what beat: the transnational music industry, identity, and cultural imperialism’, The World of Music, 35/2, pp. 16–32Google Scholar
Green, L. 1988. Music on Deaf Ears. Musical Meaning, Ideology and Education (Manchester)Google Scholar
Gregson, K. 1983. Corvan. A Victorian Entertainer and his Songs (Banbury)Google Scholar
Harker, D. 1972. ‘Thomas Allan and “Tyneside Song”’, in 1972 reprint of Allan 1891Google Scholar
Harker, D. 1976. ‘Popular song and working-class consciousness in north-east England’, Ph.D. thesis, University of CambridgeGoogle Scholar
Harker, D. 1980. One for the Money: Politics and Popular Song (London)Google Scholar
Harker, D. 1981. ‘The making of the Tyneside concert hall’, Popular Music, 1, pp. 27–56CrossRefGoogle Scholar
Harker, D. 1985. Fakesong: The Manufacture of British ‘Folksong’, 1700 to the Present Day (Milton Keynes)Google Scholar
Harker, D. 1986. ‘Joe Wilson: “comic dialectical singer” or class traitor?’, in Music Hall: Performance and Style, ed. Bratton, J.S. (Milton Keynes)Google Scholar
Harker, D. 1992. ‘Still crazy after all these years: what was popular music in the 1960s?’, in Cultural Revolution? The Challenge of the Arts in the 1960s, ed. Moore-Gilbert, B. and Seed, J. (London)Google Scholar
Harker, D. 1994. ‘Blood on the tracks. Popular music in the 1970s’, in The Arts in the 1970s. Cultural Closure?, ed. Moore-Gilbert, B. (London)Google Scholar
Hobart, M., Harker, D. and Kelly, M. 1994. ‘Three replies to “Jazz: a people's music?”’, International Socialism, 64, pp. 143–58Google Scholar
Hoggart, R. 1957. The Uses of Literacy (London)Google Scholar
Hore, C. 1993. ‘Jazz: a people's music?’, International Socialism, 61, 91–108Google Scholar
Jenkins, G. 1988. ‘Raymond Williams. On the borderline’, Socialist Worker Review, 106, p. 25Google Scholar
Jones, G.S. 1983. Languages of Class. Studies in English Working Class History 1832–1982 (Cambridge)Google Scholar
Joyce, P. 1991. Visions of the People: Industrial England and the Question of Class, 1848–1914 (Cambridge)CrossRefGoogle Scholar
Laing, D. 1985. One Chord Wonders: Power and Meaning in Punk Rock (Milton Keynes)Google Scholar
Lloyd, A.L. (ed.) 1952. Come All Ye Bold Miners (London)Google Scholar
Lloyd, A.L. 1967. Folk Song in England (London)Google Scholar
Lloyd, A.L. 1978. Come All Ye Bold Miners (London)Google Scholar
MECW = Karl Marx/Frederick Engels Collected Works (London)Google Scholar
Middleton, R. 1990. Studying Popular Music (Milton Keynes)Google Scholar
Negus, K. 1992. Producing Pop. Culture and Conflict in the Popular Music Industry (London)Google Scholar
Tagg, P. 1979. Kojak – 50 Seconds of Television Music. Towards the Analysis of Affekt in Popular Music (Göteborg)Google Scholar
Tagg, P. 1989. ‘Open Letter: black music, Afro-American music and European music’, Popular Music, 8/3, pp. 285–98CrossRefGoogle Scholar
Thompson, E.P. 1994. Witness Against the Beast. William Blake and the Moral Law (Cambridge)Google Scholar
Trotsky, L. 1989. Fascism, Stalinism and the United Front (London)Google Scholar
Vicinus, M. 1974. The Industrial Muse (London)Google Scholar
Volosinov, V.N. 1929/1973. Marxism and the Philosophy of Language (Cambridge, Mass.)Google Scholar
Volosinov, V.N. 1927/1976. Freudianism: A Marxist Critique (New York)Google Scholar
Williams, R. 1976/1983. Keywords. A vocabulary of culture and society (London)Google Scholar
Williams, R. 1989. The Politics of Modernism: Against the New Conformists (London)Google Scholar
Wilson, J. 1890. Tyneside Songs and Drolleries, Readings and Temperance Songs (Newcastle)Google Scholar