Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-27T12:19:53.010Z Has data issue: false hasContentIssue false

Debate: From refrain to rave: the decline of figure and the rise of ground1

Published online by Cambridge University Press:  11 November 2008

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Cloonan, M. 1993. ‘Banned: censorship of popular music in Britain, 1967–1992’, unpublished Ph.D. dissertation, University of LiverpoolGoogle Scholar
Grossberg, L. 1990. ‘Is there rock after punk’, in On Record, ed. Frith, S. & Goodwin, A. (London) pp. 111123Google Scholar
Jung, C. 1968. Man and His Symbols (New York)Google Scholar
Lull, J. (ed.) 1992. Popular Music and Communication (Newbury Park)Google Scholar
Mellers, W. & Harman, A. 1962. Man and His Music (London)Google Scholar
Tagg, P. 1984. ‘Understanding “time sense”’, in Tvärspel: Festskrift till Jan Ling (Göteborg) pp. 2143Google Scholar
Tagg, P. 1989. ‘Open letter: Black music, Afro-American music and European music’, Popular Music, 8/3, pp. 285–98CrossRefGoogle Scholar
Tagg, P. 1990a. ‘Reading sounds’, Recommended Recorded Quarterly, 3/2, pp. 411 (published in Italian as ‘Leggere i suoni’, Quarderni di Musica Realtà, 23, 1989, pp. 168183)Google Scholar
Tagg, P. 1990b. ‘“Universal” music and the case of death’, in La musica come linguaggio universale, ed. Pozzi, R. (Florence) pp. 227–66Google Scholar
Tagg, P. 1992. 'Towards a sign typology of “music”, in Secondo convegno europeo di analisi musicale, ed. Dalmonte, & Baroni, (Trento) pp. 369–78Google Scholar