Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-26T21:13:54.042Z Has data issue: false hasContentIssue false

Caliban reheard: new voices on jazz and American consciousness

Published online by Cambridge University Press:  11 November 2008

Extract

Wilfrid Mellers was one of the first scholars of American music to recognise that jazz was situated within many of the major contexts and controversies of American civilisation. In Music in a New Found Land (1965) and Caliban Reborn (1967), he argued eloquently that jazz was the music which both expressed and challenged urban alienation from a distinctly African-American point of view.

Type
Articles
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, T. 1981. In Search of Wagner, trans. Livingstone, R. (London)Google Scholar
Asante, M. K. 1987. The Afrocentric Idea (Philadelphia)Google Scholar
Bercovitch, S. 1978. The American Jeremiad (Madison)Google Scholar
Berman, M. 1982. All That is Solid Melts Into Air: The Experience of Modernity (New York)Google Scholar
Brantlinger, P. 1990. Crusoe's Footprints: Cultural Studies in Britain and America (London)Google Scholar
Brathwaite, L. E. 19671968. ‘Jazz and the West Indian novel’, Bim, 44–46, pp. 275–84, 3951, 115–26Google Scholar
Buckner, R. T. and Weiland, S. (eds.) 1991. Jazz in Mind: Essays on the History and Meaning of Jazz (Detroit)Google Scholar
Carby, H. V. 1986. ‘It Just Be's Dat Way Sometime': The Sexual Politics of Women's Blues’, Radical America 20, pp. 922Google Scholar
Clifford, J. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Cambridge, Massachusetts)Google Scholar
Davis, A. F. 1990. ‘The politics of American studies’, American Quarterly, 42, pp. 353–74CrossRefGoogle Scholar
Davis, M. and Troupe, Q. 1989. Miles: The Autobiography (New York)Google Scholar
Fiedler, L. 1973. The Stranger in Shakespeare (London)Google Scholar
Gabbard, K. 1992. ‘Signifyin(g) the phallus: Mo' Better Blues and representations of the jazz trumpet’, Cinema Journal, 32, pp. 4362CrossRefGoogle Scholar
Gates, H. L. Jr 1988. The Signifying Monkey: A Theory of African-American Literary Criticism (New York)Google Scholar
Gillespie, D. and Fraser, A., 1979. To Be or Not … to Bop: Memoirs of Dizzy Gillespie (New York)Google Scholar
Gitler, I. 1985. Swing to Bop: An Oral History of the Transition in Jazz in the 1940s (New York)Google Scholar
Griffin, F. J. 1992. ‘“Who set you flowin'?” Migration, urbanization, and African-American culture’, Ph.D. thesis, Yale UniversityGoogle Scholar
Handlin, O. 1951. The Uprooted: The Epic Story of the Great Migrations That Made the American People (Boston)Google Scholar
Harris, M.W. 1992. The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York)Google Scholar
Hartman, C.O. 1991. Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song (Princeton)Google Scholar
Hazzard-Gordon, K. 1990. Jookin': The Rise of Social Dance Formations in African-American Culture (Philadelphia)Google Scholar
Horowitz, I. L. and Nanry, C. 1975. ‘Ideological theories about American jazz’, Journal of Jazz Studies, 2, pp. 2541Google Scholar
Kenny, W.H. III. 1993. Chicago Jazz: A Cultural History, 1904–1930 (New York)Google Scholar
Leonard, N. 1962. Jazz and the White Americans: the Acceptance of a New Art Form (Chicago)Google Scholar
Leonard, N. 1987. Jazz: Myth and Religion (New York)Google Scholar
Levine, L.W. 1977. Black Culture and Black Consciousness: Afro-American Folk Thought From Slavery to Freedom (New York)Google Scholar
Lieberson, S. 1980. A Piece of the Pie: Blacks and White Immigrants Since 1880 (Berkeley)CrossRefGoogle Scholar
Marx, L. 1964. The Machine in the Garden: Technology and the Pastoral Ideal in America (New York)Google Scholar
Mellers, W. 1965. Music in a New Found Land: Themes and Developments in American Music (New York)Google Scholar
Mellers, W. 1967. Caliban Reborn: Renewal in Twentieth-Century Music (New York)Google Scholar
Mellers, W. 1974. Twilight of the Gods: The Music of the Beatles (New York)Google Scholar
Mellers, W. 1985. A Darker Shade of Pale: A Backdrop to Bob Dylan (New York)Google Scholar
Mellers, W. 1986. Angels of the Night: Popular Female Singers of Our Time (Oxford)Google Scholar
Merriam, A. P. 1964. The Anthropology of Music (Evanston, Illinois)Google Scholar
Middlekauff, R. 1969. ‘Perry Miller’, in Pastmasters: Some Essays on American Historians, ed. Cunliffe, M. (New York)Google Scholar
Morrison, T. 1992. Jazz (New York)Google Scholar
Murray, A. 1973. The Hero and the Blues (Columbia, Mo.)Google Scholar
Nettl, B. 1983. The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (Urbana, Illinois)Google Scholar
Ogren, K. J. 1989. The Jazz Revolution: Twenties America and the Meaning of Jazz (New York)Google Scholar
Peretti, B. W. 1991. ‘Musicians, labor, and technological obsolescence, 1925–1940’, unpublished conference paperGoogle Scholar
Peretti, B. W. 1992. The Creation of Jazz: Music, Race, and Culture in Urban America (Urbana, Illinois)Google Scholar
Smith, H. N. 1957. ‘Can “American Studies” develop a method?’, American Quarterly, 9, pp. 197208CrossRefGoogle Scholar
Spencer, J. M. 1990. Protest & Praise: Sacred Music of Black Religion (Minneapolis)Google Scholar
Trachtenberg, A. 1979. Brooklyn Bridge: Fact and Symbol, reprint ed. (Chicago)Google Scholar
Vaughan, A.T. and Vaughan, V.M. 1991. Shakespeare's Caliban: A Cultural History (Cambridge)Google Scholar
Williams, R. 1958. Culture and Society, 1780–1950 (London)Google Scholar
Williams, R. 1973. The Country and the City (New York)Google Scholar
Wilson, O. W. 1974. ‘The significance of the relationship between Afro-American and West African music’, The Black Perspective in Music, 2, pp. 322CrossRefGoogle Scholar
Wise, G. 1979. ‘“Paradigm dramas” in American studies: a cultural and institutional history of the movement’, American Quarterly, 31, pp. 293337CrossRefGoogle Scholar