Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-27T21:39:16.227Z Has data issue: false hasContentIssue false
  • English
  • Français

It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City. By Caspar Melville. Manchester: Manchester University Press, 2020. 288 pp. ISBN 978-1-5261-3125-6

Review products

It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City. By Caspar Melville. Manchester: Manchester University Press, 2020. 288 pp. ISBN 978-1-5261-3125-6

Published online by Cambridge University Press:  27 August 2020

Ivan Mouraviev
Ivan Mouraviev*
Affiliation:
University of Bristol
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 39 , Issue 2 , May 2020 , pp. 378 - 381
Check for updates
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

EMPLEX Island. 2019, 7 September. ‘Stormzy – Glastonbury 2019’, YouTube. https://youtu.be/9vgar9pInkg?t=3183 (accessed 21 January 2020)Google Scholar
Matera, M. 2015. Black London: The Imperial Metropolis and Decolonization in the Twentieth Century (Berkeley, CA, University of California Press)10.1525/9780520959903Google Scholar
Muggs, J., and Stevens, B.D. 2020. Bass, Mids, Tops: An Oral History of Sound System Culture (Cambridge, MA, MIT Press).Google Scholar
Riley, M. 2019. ‘Bass culture – black music research unit’. http://basscultureduk.com/about/ (accessed 13 December 2019)Google Scholar
Stirling, C. 2016. ‘“Beyond the dance floor”? Gendered publics and creative practices in electronic dance music’, Contemporary Music Review, 35/1, pp. 130–149. https://doi.org/10.1080/07494467.2016.1176772CrossRefGoogle Scholar
Weiss, H. 2019. We Have Never Been Middle Class: How Social Mobility Misleads Us (London, Verso)Google Scholar