Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-25T15:08:12.364Z Has data issue: false hasContentIssue false

Guns and roses: bossa nova and Brazil's music of popular protest, 1958–681

Published online by Cambridge University Press:  11 November 2008

Extract

When the Brazilian Antônio Carlos (Tom) Jobim died in December 1994, twentieth-century Western music lost one of its greatest popular songwriters. That may be a contentious assertion, and one open to endless debate, if his work is to be judged against that of the other major composers of the age on purely aesthetic grounds. It is indisputable, though, if the criteria are Jobim's role as a founder and leading songwriter of the bossa nova movement, given the influence of that tradition within Brazil and beyond, and as Latin America's most successful musical export (Treece 1992).

Type
Articles
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anon. 1965. ‘Debate: caminhos da MPB’, Arte em revista, I, 0103 1979, pp. 3741Google Scholar
Anon. 1983. ‘Jovem Guarda’, Vigu Especial, 5, (56), pp. 415Google Scholar
Anon. 1981. ‘Os anos 60 – retrospectiva’, Violāo e Guitarra Especial, 4, 37Google Scholar
Anon. n.d. Baianos, Violāa e Guitarra Especial. (São Paulo)Google Scholar
Bossa Nova Songbook 1990–91. Vols. 1–5 (Rio de Janeiro)Google Scholar
Branford, S. and Kucinski, B. 1995. Brazil: Carnival of the Oppressed: Lula and the Brazilian Workers' Party (London)CrossRefGoogle Scholar
Castro, R. 1990. Chega de saudade: a história e as histórias da Bossa Nova (São Paulo)Google Scholar
Chanan, M. 1994. Musica Practica: The Social Practice of Western Music from Gregorian Chant to Postmodernism (London)Google Scholar
Galvão, W.N. 1976. ‘MMBP: uma análise ideológica’, in Galvão, W.N., Saco de gatos: ensaios críticos (São Paulo), pp. 93113Google Scholar
Gonzalez, M. and Treece, D. 1992. The Gathering of Voices: The Twentieth-Century Poetry of Latin America (London)Google Scholar
de Hollanda, H.B. 1981. Impressōes de viagern: CPC, Vanguarda e Desbunde: 1960/1970 (São Paulo)Google Scholar
Krausche, V. 1983. Música popular brasileira: da cultura de roda à música de massa (São Paulo)Google Scholar
Martins, C.E. 1979. ‘Anteprojeto do Manifesto do CPC’, Arte em Revista: Anos 60, I, (1), 0103/1979, pp. 6779Google Scholar
Mauro, A. 1983. ‘Festivais: a época de ouro da MBP’, Vigu Especial, 5, (54), pp. 415Google Scholar
de Mello, J.E.H. 1976. Música popular brasileira cantada e contada par Tom, Baden, Caetano e outros (São Paulo)Google Scholar
Pavão, A. 1989. Rock brasileiro 1955–65: trajetória, personagens, discografia (São Paulo)Google Scholar
Roberts, J.S. 1979. The Latin Tinge: The Impact of Latin American Music on the United States (Tivoli)Google Scholar
Schwarz, R. 1992. ‘Culture and politics in Brazil, 1964–68’, in Schwarz, R., Misplaced ideas: Essays on Brazilian Culture (London)Google Scholar
de Souza, T. 1967. Sleevenotes to Sérgio Ricardo, Um Sr Talento. Elenco. 512 055–2.Google Scholar
Straubhaar, J. D. 1991. ‘Mass Communication and the Elites’, in Modern Brazil: Elites and Masses in Historical Perspective, eds Coniff, M.L. and McCann, F.D. (Lincoln and London), pp. 225–45Google Scholar
Tinhorão, J.R. 1981. Música Popular – do Gramofone no Rádio e TV (São Paulo)Google Scholar
Treece, D. 1992. ‘Between bossa nova and the mambo kings: the internationalisation of Latin American popular music’, Travesia, 1, (2), pp. 5485CrossRefGoogle Scholar
Vandré, G. 1979. Sleevenotes to Geraldo Vandré: História da Música Popular Brasileira. Abril. HMPB-67-AGoogle Scholar