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Borrowing, syncretism, hybridisation: the Parisian revue of the 1920s*

Published online by Cambridge University Press:  10 November 2008

Jean-Claude Klein
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Extract

The show (spectacle), in its urbanised, commercial version, is usually cast in the role of soundboard or crucible, where the meeting of an already finished product and its audience is effected. This conception tends to localise creative musical achievements in a prior moment, and can only envisage the relations between manager, producers and performers as unilateral.

Type
Research Article
Information
Popular Music , Volume 5 , January 1985 , pp. 175 - 187
Copyright
Copyright © Cambridge University Press 1985

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References

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