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The ice as leitmotif of a life: Erich von Drygalski, writings and photographs

Published online by Cambridge University Press:  27 September 2019

Pat Millar Open the ORCID record for Pat Millar [Opens in a new window]
Pat Millar*
Affiliation:
University of Tasmania, College of Arts, Law and Education, Sandy Bay, Hobart Tas. 7000, Australia
*
Author for correspondence: Pat Millar, Email: [email protected]
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Abstract

Professional scientist-geographer Erich von Drygalski led the first German expedition to Antarctica in 1901–1903. The expedition saw itself as purely scientific, which turned out to be at odds with the expectations of Imperial Germany at the time. It was one of the first to use photography extensively and effectively to document and record scientific activities and to shape the public’s image of the work that was being done in this remote and unknown part of the world. Ice was the leitmotif of Drygalski’s life. He had prior experience in the Arctic, and the year spent in Antarctica confirmed his nuanced way of viewing the ice: on the one hand, and foremost, scholarly and objective, while still appreciating its aesthetic qualities; on the other, infused with feelings of human vulnerability. Using discourse analysis, this article examines Drygalski’s published work and photographs he chose to illustrate it, in order to investigate what the ice meant to him. In his writings, it was the scholarly, objective attitude which predominated and this may have contributed to the generally lacklustre reception of his Antarctic achievements. The photographs he chose to illustrate his published work, however, were many and varied, often capturing the awe-inspiring beauty of the ice and contributing to good sales of his narrative of the South Polar Expedition.

Keywords

Heroic EraPolar explorationPolar photography
Type
Research Article
Information
Polar Record , Volume 55 , Issue 3 , May 2019 , pp. 169 - 176
Copyright
© Cambridge University Press 2019 

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