Published online by Cambridge University Press: 23 October 2020
I trace the historical connection between Gutenberg's invention of the printing press and the development of print-based cryptography to examine how war transforms the cultural meaning of books as mobile objects and as readable texts. The first section of the essay, “War and Print,” argues that the spatial portability of print is key to our understanding its role in the two forms of national aggression at the center of Michael Ondaatje's novel-namely, British colonialism and the Second World War. The second section, “War and Handwriting,” turns to The English Patient and proposes that in Ondaatje's novel the admiration of immobile works of art and the act of handwriting attempt to defy the violent human displacements that print enabled. (AB)
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