Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-23T22:35:52.805Z Has data issue: false hasContentIssue false
  • English
  • Français

Thine and Mine: The Spanish “Golden Age” and Early Modern Studies

Published online by Cambridge University Press:  23 October 2020

Margaret R. Greer
Get access Rights & Permissions [Opens in a new window]

Extract

Don Quixote, having shared the goatherds' rustic meal on his second sally, takes up a handful of acorns and launches into his lecture on the Golden Age: “Dichosa edad y siglos dichosos aquellos a quien los antiguos pusieron nombre de dorados, y no porque en ellos el oro, que en esta nuestra edad de hierro tanto se estima, se alcanzase en aquella venturosa sin fatiga alguna, sino porque entonces los que en ella vivían ignoraban estas dos palabras de tuyo y mío” ‘Blessed the time, and blessed the centuries, called by the ancients the Golden Age—and not because, then, the gold which we in our age of iron so value came to men's hands without effort, but because those who walked the earth in that time knew nothing of those two words, thine and mine.’ Bewildering as his harangue was for the listening goatherds, Don Quixote's introduction invites consideration of the location, ownership, and definition of the Spanish “Golden Age.” These aspects illuminate the challenge the period presents to early modern studies and vice versa.

Type
Theories and Methodologies
Information
PMLA , Volume 126 , Issue 1 , January 2011 , pp. 217 - 224
Copyright
Copyright © Modern Language Association of America, 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bailey, Gauvin Alexander, Philipps, Carla Rahn, and Voigt, Lisa. “Spain and Spanish America in the Early Modern Atlantic World: Current Trends in Scholarship.” Renaissance Quarterly 62.1 (2009): 1–60. Print.Google Scholar
Bartels, Emily C. Speaking of the Moor: From Alcazar to Othello. Philadelphia: U of Pennsylvania P, 2008. Print.CrossRefGoogle Scholar
Beverley, John. Against Literature. Minneapolis: U of Minnesota P, 1993. Print.Google Scholar
Beverley, John. “Barroco de estado: Góngora y el gongorismo.” Del Lazarillo al Sandinismo. Estudios sobre la función ideológica de la literatura española e hispanoamericana. Minneapolis: Prisma Inst., 1987. 77–97. Print.Google Scholar
Boscán, Juan. Preface. Las obras de Boscan y algunas de Garcilasso de la Vega repartidas en quatro libros. Barcelona: Amoros, 1543. 19r–22v. Print.Google Scholar
Cervantes, Miguel de. Don Quijote. Trans. Burton Raffel. Ed. Diana de Armas Wilson. New York: Norton, 1999. Print.Google Scholar
Cervantes, Miguel de. Don Quijote de la Mancha. Francisco Rico, gen. ed. Vol. 1. Barcelona: Instituto Cervantes & Crítica, 1998. Print. 2 vols.Google Scholar
Cruz, Anne J. “Crossing the Channel.” Introduction. Material and Symbolic Circulation between Spain and England, 1554–1604. Ed. Cruz. Burlington: Ashgate, 2008. xvii–xxvii. Print.Google Scholar
DeGuzmán, María. Spain's Long Shadow: The Black Legend, Off-Whiteness, and Anglo-American Empire. Minneapolis: U of Minnesota P, 2005. Print.Google Scholar
Dunn, Peter N. Spanish Picaresque Fiction: A New Literary History. Ithaca: Cornell UP, 1993. Print.Google Scholar
David, Eltis. The Rise of African Slavery in the Americas. Cambridge: Cambridge UP, 2000. Print.Google Scholar
Fuchs, Barbara. Exotic Nation: Maurophilia and the Construction of Early Modern Spain. Philadelphia: U of Pennsylvania P, 2009. Print.CrossRefGoogle Scholar
Fuchs, Barbara. “Imperium Studies: Theorizing Early Modern Expansion.” Postcolonial Moves: Medieval through Modern. Ed. Ingham, Patricia Clare and Warren, Michelle R. New York: Palgrave, 2003. 71–90. Print.CrossRefGoogle Scholar
Fuchs, Barbara. Mimesis and Empire: The New World, Islam, and European Identities. Cambridge: Cambridge UP, 2001. Print.CrossRefGoogle Scholar
Fuentes, Carlos. El espejo enterrado. Mexico City: Fondo de Cultura Económica, 1992. Print. Trans. as The Buried Mirror: Reflections on Spain and the New World. Boston: Houghton, 1992.Google Scholar
García Carcel, Ricardo. La leyenda negra: Historia y opinion. Madrid: Alianza, 1992. Print.Google Scholar
González Echevarría, Roberto. Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature. Durham: Duke UP, 1993. Print.CrossRefGoogle Scholar
Greer, Margaret R., Walter D. Mignolo, and Quilligan, Maureen. Introduction. Greer, Mignolo, and Quilligan, Rereading 1–24.CrossRefGoogle Scholar
Greer, Margaret R., Walter D. Mignolo, and Quilligan, Maureen. Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires. Chicago: U of Chicago P, 2007. Print.Google Scholar
Griffin, Eric. English Renaissance Drama and the Specter of Spain. Philadelphia: U of Pennsylvania P, 2009. Print.CrossRefGoogle Scholar
Helgerson, Richard. A Sonnet from Carthage: Garcilaso de la Vega and the New Poetry of Sixteenth-Century Europe. Philadelphia: U of Pennsylvania P, 2007. Print.CrossRefGoogle Scholar
Heng, Geraldine. Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy. New York: Columbia UP, 2003. Print.Google Scholar
Las Casas, Bartolomé de. An Account, Much Abbreviated, of the Destruction of the Indies. Ed. Knight, Franklin W. Trans. Andrew W. Hurley. Indianapolis: Hackett, 2003. Print.Google Scholar
Lasch, Pedro, ed. Black Mirror / Espejo negro. Durham: Duke UP, 2010. Print.Google Scholar
Maltby, William S. The Black Legend in England: The Development of Anti-Spanish Sentiment, 1558–1600. Durham: Duke UP, 1971. Print.Google Scholar
Maravall, José Antonio. Utopia and Counterutopia in the Quixote. Trans. Robert W. Felkel. Detroit: Wayne State UP, 1991. Print.Google Scholar
Middlebrook, Leah. Imperial Lyric: New Poetry and New Subjects in Early Modern Spain. University Park: Pennsylvania State UP, 2009. Print.CrossRefGoogle Scholar
Navarrete, Ignacio Enrique. Orphans of Petrarch: Poetry and Theory in the Spanish Renaissance. Berkeley: U of California P, 1994. Print.Google Scholar
Oviedo, José Miguel. La Edad del Oro: Crónicas y testimonios de la conquista del Perú. Barcelona: Tusquets; Círculo de Lectores, 1986. Print.Google Scholar
Parr, James A. “A Modest Proposal: That We Use Alternatives to Borrowing (Renaissance, Baroque, Golden Age) and Leveling (Early Modern) in Periodization.” Hispania 84.3 (2001): 406–16. Print.Google Scholar
Paun de García, Susan, and Larson, Donald R. The Comedia in English Translation and Performance. Woodbridge: Tamesis, 2008. Print.Google Scholar
Phillips, William D. Jr. Slavery from Roman Times to the Early Transatlantic Trade. Manchester: Manchester UP, 1985. Print.Google Scholar
“Race.” Oxford English Dictionary Online. 2nd ed. Oxford UP, 2009. Web. 15 Mar. 2010.Google Scholar
“Raza.” Tesoro de la lengua castellana o española. By Sebastián de Covarrubias Orozco. Madrid: Turner, 1984. Print.Google Scholar
Rhodes, Elizabeth. “Mysticism in History: The Case of Spain's Golden Age.” Approaches to Teaching Teresa of Ávila and the Spanish Mystics. Ed. Weber, Alison. New York: MLA, 2009. 47–56. Print.Google Scholar
Robbins, Jeremy. “Renaissance and Baroque: Continuity and Transformation in Early Modern Spain.” The Cambridge History of Spanish Literature. Ed. Gies, David T. Cambridge: Cambridge UP, 2004. 137–48. Print.Google Scholar
Rozas, Juan Manuel. “El Siglo de Oro. El teatro en tiempos de Lope de Vega.” Historia de literatura de la edad media y siglo de oro. By Miguel Angel Pérez Priego, José Rico Verdú, and Rozas. 4th ed. Madrid: U Nacional de Educación a Distancia, 1989. 361–93. Print.Google Scholar
Schack, Schack Adolf Friedrich. Historia de la literatura y del arte dramático en España. Trans. Eduardo de Mier. Vol. 1. Madrid: Imprenta y Fundición de M. Tello, 1885. Print. 5 vols. Trans. of Geschichte der dramatischen Literatur und Kunst in Spanien. 5 vols. Berlin: Dunker und Humboldt, 1845–46.Google Scholar
Schmidt, Rachel. Critical Images: The Canonization of Don Quixote through Illustrated Editions of the Eighteenth Century. Montreal: McGill-Queen's UP, 1999. Print.Google Scholar
Schroth, Sarah, and Baer, Ronnie, eds. El Greco to Velázquez: Art during the Reign of Philip III. Boston: MFA, 2008. Print.Google Scholar
Serrano Gassent, Paz, ed. Vasco de Quiroga. La Utopía en América. Madrid: Historia 16, 1992. Print.Google Scholar
Sieber, Harry. “Literary Continuity, Social Order, and the Invention of the Picaresque.” Cultural Authority in Golden Age Spain. Ed. Brownlee, Marina S. and Gumbrecht, Hans Ulrich. Baltimore: Johns Hopkins UP, 1995. 143–64. Print.Google Scholar
Sullivan, Henry W. Calderón in the German Lands and the Low Countries: His Reception and Influence, 1654–1980. Cambridge: Cambridge UP, 1983. Print.Google Scholar
Velázquez, Luis José. Orígenes de la poesía castellana. 2nd ed. Málaga: F. Martínez de Aguilar, 1797. Print.Google Scholar
Vilches, Elvira. New World Gold: Cultural Anxiety and Monetary Disorder in Early Modern Spain. Chicago: U of Chicago P, 2010. Print.CrossRefGoogle Scholar
Zamora, Lois Parkinson. The Inordinate Eye: New World Baroque and Latin American Fiction. Chicago: U of Chicago P, 2006. Print.Google Scholar