Hostname: page-component-745bb68f8f-hvd4g Total loading time: 0 Render date: 2025-02-11T20:08:56.778Z Has data issue: false hasContentIssue false
  • English
  • Français

Soft and Sick, Lautréamont

Published online by Cambridge University Press:  16 April 2021

Yasser Elhariry
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Theories and Methodologies
Information
PMLA , Volume 136 , Issue 2 , March 2021 , pp. 300 - 309
Copyright
Copyright © 2021 The Author(s). Published by Cambridge University Press on behalf of the Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bersani, Leo. A Future for Astyanax: Character and Desire in Literature. Marion Boyars, 1978.Google Scholar
Blanchot, Maurice. L'instant de ma mort. Gallimard, 1994.Google Scholar
Bohn, Willard. “Revisiting the Surrealist Image.” Romance Quarterly, vol. 66, no. 2, 2019, pp. 91–106.Google Scholar
Brancky, Anne. The Crimes of Marguerite Duras: Literature and Media in Twentieth-Century France. Cambridge UP, 2020.Google Scholar
Breton, André. Manifestes du surréalisme. Gallimard, 1985.Google Scholar
Breton, André. Manifestoes of Surrealism. Translated by Seaver, Richard and Lane, Helen R., U of Michigan P, 1969.Google Scholar
Breton, André. “Préface aux Œuvres complètes de Lautréamont.” 1938. Lautréamont, Œuvres, pp. 425–27.Google Scholar
Camerato, Tim. “Dartmouth Parent Sues over Tuition Rate for Online Classes.” Valley News, 1 June 2020, vnews.com/Dartmouth-sued-over-tuition-online-learning-34558123.Google Scholar
Césaire, Aimé. Discours sur le colonialisme. 1950. Présence Africaine, 1970.Google Scholar
Césaire, Aimé. Discourse on Colonialism. Translated by Pinkham, Joan, Monthly Review Press, 1972.Google Scholar
Césaire, Aimé. “Isidore Ducasse, comte de Lautréamont: La poésie de Lautréamont, belle comme un décret d'expropriation.” 1943. Lautréamont, Œuvres complètes, pp. 428–33.Google Scholar
Davis, Lydia. “Some Notes on Translation and on Madame Bovary.” Paris Review, no. 198, 2011, theparisreview.org/letters-essays/6109/some-notes-on-translation-and-on-madame-bovary-lydia-davis.Google Scholar
Eribon, Didier. Retour à Reims. Flammarion, 2018.Google Scholar
Gabbert, Elisa. “Poems from the Storm.” The New York Review of Books, vol. 67, no. 9, 28 May 2020, pp. 30–31.Google Scholar
Garner, Dwight. “A Raging Pandemic Inspires Poetry with Little Bite.” The New York Times, 14 Dec. 2020, nytimes.com/2020/12/14/books/review-together-in-sudden-strangeness-pandemic-poetry-alice-quinn.html.Google Scholar
Gleize, Jean-Marie. Poésie et figuration. Seuil, 1983.Google Scholar
Guitard, Bruno. “Tendresse de Lautréamont.” Europe, nos. 700–01, 1987, pp. 68–77.Google Scholar
Hanlon, Philip J. “Two University Heads on Their Survival Strategies.” “What Is College without the Campus? This Crisis Will Reshape Higher Education—and Not Just This Fall,” by Brock Colyar et al., New York Magazine, 11 May 2020, nymag.com/intelligencer/2020/05/what-is-college-without-the-campus.html.Google Scholar
Khatibi, Abdelkébir. L'aimance et l'invention d'un idiome. Œuvres de Abdelkébir Khatibi II: Poésie de l'aimance, Différence, 2008, pp. 123–45.Google Scholar
Kreps, Daniel. “‘SNL’: Jim Carrey's Joe Biden Declares Victory over ‘Loser’ Trump.” Rolling Stone, 8 Nov. 2020, rollingstone.com/tv/tv-news/snl-jim-carrey-joe-biden-victory-loser-trump-1087352/.Google Scholar
Lahut, Jake. “Biden Says ‘It's Hard to Get a Word in with This Clown’ after Trump Interrupts Him.” Business Insider, 20 Sept. 2020, businessinsider.com/biden-hard-to-get-a-word-in-with-this-clown-2020-9.Google Scholar
Larsen, Neil. “Toward a Profane Postcolonialism.” Diaspora, vol. 8, no. 2, 1999, pp. 173–84.Google Scholar
Lautréamont, Comte de. Les chants de Maldoror par le Comte de Lautréamont. Albert Lacroix, 1869.Google Scholar
Lautréamont, Comte de. Maldoror and Poems. Translated by Knight, Paul, Penguin, 1978.Google Scholar
Lautréamont, Comte de. Maldoror and the Complete Works of the Comte de Lautréamont. 1970. Translated by Lykiard, Alexis, Exact Change, 2011.Google Scholar
Lautréamont, Comte de. Maldoror (Les chants de Maldoror): Together with a Translation of Lautréamont's Poésies. 1943. Translated by Wernham, Guy, New Directions, 1965.Google Scholar
Lautréamont, Comte de. Œuvres complètes. Edited by Steinmetz, Jean-Luc, Gallimard, 2009.Google Scholar
Lautréamont, Comte de. Poésies I. Librairie Gabrie, 1870.Google Scholar
Lerner, Ben. The Hatred of Poetry. Fitzcarraldo, 2016.Google Scholar
Lerner, Ben. “Trump Wants to Protect the Numbers, Not the COVID-19 Patients They Represent: ‘I Like the Numbers Being Where They Are,’ the President Said.” The New Yorker, 6 Apr. 2020, newyorker.com/magazine/2020/04/13/trumps-numbers.Google Scholar
Lionnet, Françoise. “‘The Indies’: Baudelaire's Colonial World.” PMLA, vol. 123, no. 3, May 2008, pp. 723–36.Google Scholar
Mallarmé, Stéphane. “Crise de vers.” 1897. Œuvres complètes, vol. 2, edited by Marchal, Bertrand, Gallimard, 2003, pp. 204–13.Google Scholar
Mallarmé, Stéphane. “Crisis of Verse.” Divagations: The Author's 1897 Arrangement together with Autobiography and Music and Letters, translated by Johnson, Barbara, Belknap, 2007, pp. 199–211.Google Scholar
Mallarmé, Stéphane. “Le mystère dans les lettres.” 1897. Œuvres complètes, vol. 2, edited by Marchal, Bertrand, Gallimard, 2003, pp. 229–34.Google Scholar
Mallarmé, Stéphane. “The Mystery in Letters.” Divagations: The Author's 1897 Arrangement together with “Autobiography” and “Music and Letters.” Translated by Johnson, Barbara, Belknap, 2007, pp. 231–36.Google Scholar
Metallica. “Fade to Black.” Ride the Lightning, Blackened Recordings, 1984.Google Scholar
Metallica. “Fight Fire with Fire.” Ride the Lightning, Blackened Recordings, 1984.Google Scholar
Miller, J. Hillis. “The Critic as Host.” Critical Inquiry, vol. 3, no. 3, 1977, pp. 439–47.CrossRefGoogle Scholar
Nealon, Christopher. The Shore. Wave, 2020.Google Scholar
Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2015.Google Scholar
070 Shake. Modus Vivendi. Getting Out Our Dreams / Def Jam Recordings, 2020.Google Scholar
Oppen, George. “Image of the Engine.” 1962. New Collected Poems, edited by Davidson, Michael, New Directions, 2008, pp. 40–43.Google Scholar
Perrone-Moisés, Leyla, and Monegal, Emir Rodríguez. Lautréamont: L'identité culturelle: Double culture et bilinguisme chez Isidore Ducasse. L'Harmattan, 2002.Google Scholar
The Pharcyde. Bizarre Ride II the Pharcyde. The Bicycle Music Company, 1992.Google Scholar
Ramazani, Jahan. Poetry and Its Others: News, Prayer, Song, and the Dialogue of Genres. U of Chicago P, 2014.Google Scholar
Reverdy, Pierre. “L'image.” Nord-Sud, no. 13, 1918, pp. 1–2.Google Scholar
Reznikoff, Charles. Testimony: The United States (1885–1915), Recitative. Black Sparrow, 2015.Google Scholar
Rosello, Mireille. Declining the Stereotype: Ethnicity and Representation in French Cultures. UP of New England, 1998.Google Scholar
Sartre, Jean-Paul. “Introduction by Jean-Paul Sartre.” Translated by Hoey, Lawrence. Colonizer and Colonized, by Memmi, Albert, translated by Greenfeld, Howard, Earthscan, 2010, pp. 17–25.Google Scholar
Sartre, Jean-Paul. “Préface de Jean-Paul Sartre.” Portrait du colonisé précédé de Portrait du colonisateur, by Memmi, Albert. 1957. Gallimard, 1985, pp. 23–29.Google Scholar
Serres, Michel. Genèse. Grasset, 1982.Google Scholar
Serres, Michel. Genesis. Translated by James, Genevieve and Nielson, James, U of Michigan P, 1997.Google Scholar
Steinmetz, Jean-Luc. Preface. Lautréamont, Œuvres complètes, pp. ix–xl.Google Scholar
Talbayev, Edwige Tamalet. “Abdelkébir Khatibi's Mediterranean Idiom.” Abdelkébir Khatibi: Postcolonialism, Transnationalism, and Culture in the Maghreb and Beyond, edited by Hiddleston, Jane and Lyamlahy, Khalid, Liverpool UP, 2020, pp. 89–109.Google Scholar
“Trending: ‘Schadenfreude.’ Lookups Spiked 35,000% on October 2, 2020.” Merriam-Webster, merriam-webster.com/news-trend-watch/schadenfreude-20201002.Google Scholar
Waldrop, Keith. Introduction. The Flowers of Evil, by Baudelaire, Charles, translated by Waldrop, Wesleyan UP, 2006, pp. xi–xxvii.Google Scholar
The Weeknd. In Your Eyes (feat. Kenny G)—Remix. The Weeknd XO, 2020.Google Scholar
Wolfe, Jonathan, and Pasick, Adam. “Dr. Fauci Sees ‘Terribly Painful Months’ Ahead.” The New York Times, 20 Nov. 2020, nytimes.com/2020/11/20/us/coronavirus-today.html.Google Scholar
Zukofsky, Louis. “‘A’–18.” Poetry, vol. 110, no. 5, 1967, pp. 281–303.Google Scholar