Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-30T15:37:48.641Z Has data issue: false hasContentIssue false

Introduction: “Tell Me, Sir, … What Is ‘Black’ Literature?”

Published online by Cambridge University Press:  23 October 2020

Extract

For those of us who were students or professors of African or African American literature in the late sixties or through the seventies, it is a thing of wonder to behold the various ways in which our specialties and the works we explicate and teach have moved, if not exactly from the margins to the center of the profession of literature, at least from defensive postures to a position of generally accepted validity. My own graduate students often greet with polite skepticism an anecdote I draw on in the introduction to my seminars. When I was a student at the University of Cambridge, Wole Soyinka, recently released from a two-year confinement in a Nigerian prison, was on campus to deliver a lecture series on African literature (collected and published by Cambridge in 1976 under the title Myth, Literature, and the African World). Soyinka had come to Cambridge in 1973 from Ghana, where he had been living in exile, ostensibly to assume a two-year lectureship in the faculty of English. To his astonishment, as he told me in our first supervision, the faculty of English apparently did not recognize African literature as a legitimate area of study within the “English” tripos, so he had been forced to accept an appointment in social anthropology, of all things! (Much later, the distinguished Nigerian literary scholar Emmanuel Obiechina related a similar tale when I asked him why he had taken his Cambridge doctorate in social anthropology.) Shortly after I heard Soyinka's story, I asked the tutor in English at Clare College, Cambridge, why Soyinka had been treated this way, explaining as politely as I could that I would very much like to write a doctoral thesis on “black literature.” To which the tutor replied with great disdain, “Tell me, sir, … what is black literature?” When I responded with a veritable bibliography of texts written by authors who were black, his evident irritation informed me that I had taken as a serious request for information what he had intended as a rhetorical question.

Type
Special Topic: African and African American Literature
Copyright
Copyright © Modern Language Association of America, 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Applebee, Arthur N. A Study of Book-Length Works Taught in High School English Courses. Albany: Center for the Learning and Teaching of Literature, 1989.Google Scholar
Baldwin, James. “Here Be Dragons.” The Price of the Ticket: Collected Nonfiction, 1948–1985. New York: St. Martin's, 1985. 677–90.Google Scholar
Baldwin, James. Notes of a Native Son. Boston: Beacon, 1955.Google Scholar
Benston, Kimberly. Letter to the author. 16 Sept. 1989.Google Scholar
Fiedler, Leslie, and Baker, Houston A. Jr., eds. English Literature: Opening Up the Canon; Selected Papers from the English Institute, 1979. Baltimore: Johns Hopkins UP, 1981.Google Scholar
Fisher, Dexter, ed. Minority Language and Literature: Retrospective and Perspective. New York: MLA, 1977.Google Scholar
Fisher, Dexter, and Stepto, Robert, eds. Afro-American Literature: The Reconstruction of Instruction. New York: MLA, 1979.Google Scholar