Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-27T08:04:29.315Z Has data issue: false hasContentIssue false
  • English
  • Français

Database, Interface, and Archival Fever

Published online by Cambridge University Press:  23 October 2020

Jerome Mcgann
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
The Changing Profession
Information
PMLA , Volume 122 , Issue 5: Special Topic Remapping Genre , October 2007 , pp. 1588 - 1592
Copyright
Copyright © 2007 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Barfield, Owen. Saving the Appearances: A Study in Idolatry. New York: Harcourt, 1965.Google Scholar
Byron. Don Juan. The Complete Poetical Works. Ed. McGann, Jerome. Vol. 5. Oxford: Clarendon, 1980–93. 7 vols.Google Scholar
Derrida, Jacques. Archive Fever: A Freudian Impression. Trans. Prenowitz, Eric. Religion and Postmodernism. Chicago: U of Chicago P, 1996.Google Scholar
Manovich, Lev. The Language of New Media. Cambridge: MIT P, 2001.Google Scholar
McGann, Jerome. “Marking Texts in Many Dimensions.” A Companion to Digital Humanities. Ed. Schreibman, Susan, Siemens, Ray, and Unsworth, John. Oxford: Blackwell, 2004. 198–217.CrossRefGoogle Scholar
McKenzie, D. F. “‘What's Past Is Prologue.‘” Making Meaning: “Printers of the Mind” and Other Essays. Ed. McDonald, Peter D. and Suarez, Michael F. Amherst: U of Massachusetts P, 2002. 259–75.Google Scholar