Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-02T23:32:37.577Z Has data issue: false hasContentIssue false

“And I Mon Waxe Wod”: The Middle English “Foweles in the Frith”

Published online by Cambridge University Press:  23 October 2020

Thomas C. Moser Jr*
Affiliation:
Stanford University, Stanford, California

Abstract

The tiny lyric “Foweles in the Frith” may be the oldest surviving love song written in English. Endlessly anthologized, this late thirteenth-century poem has in recent years become the object of intermittent academic debate between an old school that views it as a secular love song and some later critics who see it as some sort of religious complaint. Actually, it could have been understood variously by a medieval audience. It works well as a simple spring love poem sung by a man about a woman, but there is also evidence for reading it as a lament for postlapsarian humanity or as a specifically Christological complaint. As one critic has noted, for a medieval exegete the precise relation between a text's littera and sensus was far from “automatic”; barring the discovery of an original poetic context for “Foweles,” any unitary solution to the lyric's meaning will probably remain elusive.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adams, John F.The Anglo-Saxon Riddle as Lyric Mode.” Criticism 7 (1965): 335–48.Google Scholar
Astle, Philip, Williamson, Paul, and Their Noyse of Musitians, with Paul Hillier, Baritone. Miri It Is: English Medieval Music from the 13th and 14th Centuries. Plant Life, PLR043, 1982.Google Scholar
Baugh, Albert C. A Literary History of England. 2nd ed. New York: Appleton, 1948.Google Scholar
Bennett, J. A. W., and Smithers, G. V., eds. Early Middle English Verse and Prose. Oxford: Clarendon, 1966.Google Scholar
Bevington, David, ed. Medieval Drama. Boston: Houghton, 1975.Google Scholar
Block, K. S., ed. Ludus Coventriae: Or, The Plaie Called Corpus Christi. EETS es 120. London: Oxford UP, 1922.Google Scholar
Brook, G. L., ed. The Harley Lyrics. Manchester, Eng.: Manchester UP, 1948.Google Scholar
Brown, Beatrice Daw. The Southern Passion. EETS os 169. London: Oxford UP, 1927.Google Scholar
Brown, Carleton, ed. English Lyrics of the XIIIth Century. Oxford: Clarendon, 1932.CrossRefGoogle Scholar
Brown, Carleton, ed. Religious Lyrics of the XIVth Century. Oxford: Clarendon, 1924.Google Scholar
Brown, Carleton, and Robbins, Rossell Hope. The Index of Middle English Verse. New York: Columbia UP, 1943.Google Scholar
Burrow, J. A.Poems without Contexts.” Essays in Criticism 29 (1979): 632.10.1093/eic/XXIX.1.6CrossRefGoogle Scholar
Chickering, Howell D. Jr. “‘Foweles in the Frith’: A Religious Art-Song.” Philological Quarterly 50 (1971): 115–20.Google Scholar
d'Amico, Jack, ed. Petrarch in England. Ravenna: Longo, 1979.Google Scholar
Davies, R. T., ed. Medieval English Lyrics. London: Faber, 1963.Google Scholar
Davison, Archibald T., ed. Historical Anthology of Music. 2 vols. Cambridge: Harvard UP, 1962.Google Scholar
Dean, Ruth J.The Fair Field of Anglo-Norman: Recent Cultivation.” Medievalia et humanistica 3 (1972): 279–97.Google Scholar
de Vinck, José, trans. The Works of Bonaventure. Paterson: St. Anthony Guild, 1960.Google Scholar
Dickens, Bruce, and Wilson, R. M., eds. Early Middle English Texts. Cambridge: Bowes, 1951.Google Scholar
Dobson, E. J., and Harrison, F. L., eds. Medieval English Songs. New York: Cambridge UP, 1979.Google Scholar
Dronke, Peter. Medieval Latin and the Rise of the European Love Lyric. 2nd ed. 2 vols. Oxford: Oxford UP, 1968.Google Scholar
England, George, and Pollard, Alfred W., eds. The Towneley Plays. EETS es 71. London: Oxford UP, 1897.Google Scholar
Fischer, Bonifatius. Novae concordantiae bibliorum sacrorum. Stuttgart-Bad Cannstatt: Frommann, 1977.Google Scholar
Foster, Frances A., ed. The Northern Passion. 2 vols. EETS os 145, 147. London: Kegan, 1913, 1916.Google Scholar
Frey, Charles. “Interpreting ‘Western Wind.‘ELH 43 (1976): 259–78.CrossRefGoogle Scholar
Furnivall, Frederick J., ed. Political, Religious and Love Poems. EETS os 15. London: Trubner, 1866.Google Scholar
Garbaty, Thomas J., ed. Medieval English Literature. Lexington: Heath, 1984.Google Scholar
Goates, Margery, ed. The Pepysian Gospel Harmony. EETS os 157. London: Oxford UP, 1922.Google Scholar
Harrison, Frank L., and Dobson, Eric J., eds. Medieval English Lyrics. Argo, RG443, 1965.Google Scholar
Harvey, Carol J.Anglo-Norman Lyric Poetry and Its Relationship with Continental Lyric.” Diss. U of Edinburgh, 1969–70.Google Scholar
Heuser, Wilhelm, and Foster, Frances A., eds. The Northern Passion. (Supplement). EETS os 183. London: Oxford UP, 1930.Google Scholar
Hughes, Dom Anselm, ed. Early Medieval Music up to 1300. Vol. 2 of The History of Music in Sound. Gen. ed. Abraham, Gerald. New York: Oxford UP, 1960. RCA, LM6015, 1960.Google Scholar
Hughes, Dom Anselm., ed. Early Medieval Music up to 1300. Vol. 2 of New Oxford History of Music. London: Oxford UP, 1954.Google Scholar
Jeremy, Sister Mary. “Mon in ‘Foweles in the Frith.‘English Language Notes 5 (1967): 8081.Google Scholar
Langland, William. The Vision of Piers the Plowman: A Critical Edition of the B-Text. Ed. Schmidt, A. V. C. London: Dent, 1978.Google Scholar
Luisi, David. “‘Foweles in the Frith.‘Explicator 25 (1967): 47.CrossRefGoogle Scholar
Luria, Maxwell S., and Hoffman, Richard L., eds. Middle English Lyrics. New York: Norton, 1974.Google Scholar
Manning, Stephen. “Game and Earnest in the Middle English and Provençal Love Lyrics.” Comparative Literature 18 (1966): 225–41.10.2307/1770051CrossRefGoogle Scholar
Matthews, [G. W.], ed. The Chester Plays. Pt. 2. EETS es 115. London: Oxford UP, 1916.Google Scholar
Migne, Jacques Paul, ed. Patrologiae cursus completus. Series latina. 221 vols. Paris, 1844–64.Google Scholar
Moore, Arthur K. The Secular Lyric in Middle English. Lexington: U of Kentucky P, 1951.Google Scholar
Morris, Richard, ed. Legends of the Holy Rood. EETS os 46. London: Trubner, 1871.Google Scholar
Morris, Richard, ed. Old English Homilies and Homiletic Treatises of the 12th and 13th Centuries. EETS os 29, 34. London: Trubner, 1868.Google Scholar
Morris, Richard, ed. The Story of Genesis and Exodus. EETS os 7. London: Trubner, 1865.Google Scholar
Plummer, Charles, and Earle, John, eds. Two of the Saxon Chronicles Parallel. 2 vols. Oxford: Clarendon, 1892.Google Scholar
Reiss, Edmund. “A Critical Approach to the Middle English Lyric.” College English 27 (1966): 373–79.Google Scholar
Revard, Carter. “‘Foweles in the Frith.‘Notes and Queries ns 25 (1978): 200.Google Scholar
Robbins, Rossell Hope, and Cutler, John L. Supplement to The Index of Middle English Verse. Lexington: U of Kentucky P, 1965.Google Scholar
Robertson, D. W. Jr., ed. The Literature of Medieval England. New York: McGraw, 1970.Google Scholar
Savage, Anne, trans. The Anglo-Saxon Chronicles. London: Heinemann, 1982.Google Scholar
Sidgwick, Frank, and Chambers, E. K., eds. Early English Lyrics. London: Sidgwick, 1966.Google Scholar
Silverstein, Theodore, ed. Medieval English Lyrics. London: Arnold, 1971.Google Scholar
Stainer, J. F. R., ed. Early Bodleian Music: Sacred and Secular Songs Together with Other MS. Composition in the Bodleian Library, Oxford. 2 vols. London: Novello, 1901.Google Scholar
Stemmler, Theo. Die englischen Liebesgedichte des MS. Harley 2253. Diss. Rheinischen Friedrich-Wilhelms U, 1961. Bonn: Rheinischen Friedrich-Wilhelms UP, 1962.Google Scholar
Strecker, Karl, ed. Die Cambridger Lieder. 2nd ed. Berlin: Weidmannsche, 1955.Google Scholar
A Summary Catalogue of Western MSS. in the Bodleian Library at Oxford. 7 vols. in 8. Oxford: Clarendon, 1895–1953.Google Scholar
Vising, Johan. Anglo-Norman Language and Literature. London: Oxford UP, 1923.Google Scholar
Visser, F. T. An Historical Syntax of the English Language. 3 vols. Leiden: Brill, 1963–73.Google Scholar
Waszink, J. H., ed. Timaeus: A Calcidio translatus commentarioque instructus. London: Warburg; Leiden: Brill, 1962.Google Scholar
Wenzel, Siegfried. “Medieval Sermons and the Study of Literature.” Medieval and Pseudo-Medieval Literature: The J. A. W. Bennett Memorial Lectures, Perugia, 1982–1983. Ed. Boitani, Piero and Torti, Anna. Tübingen: Narr; Cambridge: Brewer, 1984. 1932.Google Scholar
Wenzel, Siegfried. “The Moor Maiden—A Contemporary View.” Speculum 49 (1974): 6974.10.2307/2856553CrossRefGoogle Scholar
Wenzel, Siegfried. “A New Occurrence of an English Poem from the Red Book of Ossory.” Notes and Queries ns 30 (1983): 105–08.CrossRefGoogle Scholar
Wenzel, Siegfried. “Poets, Preachers, and the Plight of Literary Critics.” Speculum 60 (1985): 343–63.CrossRefGoogle Scholar
Westra, Haijo Jan, ed. The Commentary on Martianus Capella's De nuptiis philologiae et mercurii Attributed to Bernardus Silvestris. Toronto: Pontifical, 1986.Google Scholar
Wooldridge, H. E. The Polyphonic Period. 2nd ed. 2 vols. London: Oxford UP, 1929.Google Scholar