Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-25T16:24:39.341Z Has data issue: false hasContentIssue false
  • English
  • Français

Sally Harper, Music in Welsh Culture before 1650: A Study of the Principal Sources. Aldershot: Ashgate, 2007. xix + 441 pp. £60. ISBN 978 0 7546 5263 2.

Published online by Cambridge University Press:  16 March 2009

Ceridwen Lloyd-Morgan
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Plainsong & Medieval Music , Volume 18 , Issue 1 , April 2009 , pp. 81 - 85
Copyright
Copyright © © Cambridge University Press 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 ‘“Songs of the Doeinges of their Auncestors”: Aspects of Welsh and English Musical Traditions’, in Authority and Subjugation in Writing of Medieval Wales, ed. Ruth Kennedy and Simon Meecham-Jones (New York, 2008), 231–50.

2 Marged Haycock, Legendary Poems from the Book of Taliesin (Aberystwyth, 2007); Michelle P. Brown, ‘The Lichfield/Llandeilo Gospels Reinterpreted’, in Authority and Subjugation (see note 1), 57–70.

3 Gwaith Lewys Morgannwg, ed. by A. Cynfael Lake (2 vols; Aberystwyth, 2004); Glanmor Williams, The Welsh Church from Conquest to Reformation (Cardiff, 1962; revised edition 1976).

4 See Daniel Huws, Medieval Welsh Manuscripts (Cardiff, 2000), 190; see also the introduction to the digital facsimile of the manuscript in the ‘Digital Mirror’ section of the National Library of Wales website (www.llgc.org.uk).