Published online by Cambridge University Press: 12 September 2008
Munich, Bayerische Staatsbibliothek, Mus. MS 3154 folios 47v–48r preserves the unique text of Busnois' motet In hydraulis, reproduced by D. Plamenac in Die Musik in Geschichte und Gegenwart IX Tafel 116.
1 I owe thanks for helpful criticism to Drs Margaret Bent, Bonnie Blackburn, Jeffrey Dean, Leofranc Holford-Strevens, John Milsom and Rob Wegman.
2 Perkins, L. L., ‘The L'Homme Armé Masses of Busnoys and Okeghem: A Comparison’, The Journal of Musicology, 3 (1984), 363–96:CrossRefGoogle Scholar see p. 364 n.3. Taruskin, R. (ed.), Antoine Busnoys Collected Works Part 3 The Latin-Texted Works, Commentary, Masters and Monuments of the Renaissance 5 (New York, 1990), 75.Google Scholar
3 Benthem, J. van in Antoine Busnoys: In hydraulis & Other Works, Pomerium, (dir.) A. Blachly (Troy, NY: Dorian Recordings, 1993), 3.Google Scholar
4 For illustration of the convention between the fifth century and the thirteenth see Howlett, D. R., ‘Some Criteria for Editing Abaelard’, Archivum Latinitatis Medii Aevi, 51 (1992–3), 195–202;Google ScholarHowlett, D. R., Archivum Latinitatis Medii Aevi ‘Aldhelm and Irish Learning’, 52 (1994), 37–75;Google Scholar ‘Five Experiments in Textual Reconstruction and Analysis’ and ‘The Polyphonic Colophon to Comac's Psalter’, Peritia, 9 (1995 forthcoming); The Celtic Latin Tradition of Biblical Style (Dublin, 1995 forthcoming); British Books in Biblical Style (Dublin, forthcoming); The English Origins of Old French Literature (Dublin, forthcoming).