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The Problem of Artistic Production
Published online by Cambridge University Press: 25 February 2009
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The main problem which I wish to discuss in this paper may be set out in the form of a very simple question. It is this: What makes an artist—whether he be painter, sculptor, musician, poet, or anything else—desire to produce a work of art and to go on working until he has done so?
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- Copyright © The Royal Institute of Philosophy 1930
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page 534 note 1 Including persons and events.
page 535 note 1 Exactly what these values are, and how they become expressed, is a long story, into which I cannot enter here. I hope to return to the subject shortly in a book.
page 537 note 1 No doubt we are all tired of the illustration. Yet sunsets do, in fact, appear to have stimulated real artists—sometimes!
page 538 note 1 Three Lectures on Æsthetic, p. 58 sq.
page 539 note 1 Limited popular opinion, of course.
page 539 note 2 Cf. also Alexander, , Art and the Material, pp. 10, 16, and 17Google Scholar
page 539 note 3 Ibid., p. 67 sq.
page 539 note 4 Ibid., p. 69.
page 539 note 5 Footnote, supra.
page 540 note 1 Æsthetic, Ainslie's translation, p. 10.
page 540 note 2 Translated by Ainslie under the title of The Essence of Æsthetic.
page 540 note 3 Op. cit., p. 40.
page 540 note 4 Ibid., p. 40.
page 540 note 5 Ibid., p. 43.
page 540 note 6 Ibid., p. 44.
page 540 note 7 Ibid., p. 49.
page 540 note 8 Ibid., p. 49.
page 540 note 9 Æsthetic, p. 51.
page 540 note 10 Ibid., p. 96.
page 541 note 1 Essence of Æsthetic, p. 45.
page 541 note 2 Rainer, A. C. A., “The Field of Æsthetics,” Mind, vol. xxxviii, No. 150, p. 165.Google Scholar
page 542 note 1 For the artist may stop to contemplate his work as far as it has gone.
page 543 note 1 Croce, , Æsthetic, pp. 8, 9.Google Scholar
page 543 note 2 See Alexander, , Art and the Material, p. 12 and passim.Google Scholar