Inaugurated in 1995 to accommodate Rome's growing Muslim population, the Mosque of Rome, designed by Paolo Portoghesi, Sami Mousawi and Vittorio Gigliotti, serves as the largest mosque in the Western world. The complex also bears the title of ‘Islamic Cultural Centre’ – a name befitting the Mosque's duality as both mentor (for the Islamic community) and mediator (for the wider non-Islamic community).
Despite Mousawi's pivotal role in the shaping of the Mosque, his influence has been eclipsed by Portoghesi's prominence. The aim of my project was to rectify this historical oversight by highlighting Mousawi's significance and advocating for recognition within architectural discourse. Through archival research, community engagement and documentation of the Mosque's architecture, the project sought to challenge biases favouring established figures over lesser-known contributors.
The course of my research underwent a significant shift during my tenure at the British School at Rome. Though initially focused on the architectural significance of the Mosque, the project evolved to prioritize addressing the historical marginalization of Mousawi. This transformation was prompted by engagement with archival materials and the local community, revealing the passive erasure of Mousawi's name in architectural history. This shift reflects a broader commitment to advocating for overlooked voices in the field.
The research involved extensive documentation of the Mosque's architecture, including photographic surveys and interviews with the local community. Notably, efforts to highlight Mousawi's contributions sparked renewed interest in his work among locals and challenged prevailing narratives in architectural history. Participation in the BSR's Open Studios further diversified the project's outputs, fostering a deeper understanding of visual expression alongside traditional research methods.
Beyond its immediate findings, the research contributes to broader discussions on architectural authorship and the recognition of marginalized figures within the profession. By interrogating biases in architectural history, the project offers insights into credit attribution dynamics and the impact of established narratives on lesser-known architects. I am committed to continue advocating for overlooked voices while exploring new avenues for research and collaboration.
The Giles Worsley Fellowship facilitated collaborations with fellow scholars and artists, enriching the research experience. Interactions within the interdisciplinary community inspired creative outputs such as poetry and encouraged exploration beyond academic confines. The Fellowship also provided invaluable opportunities for academic and personal growth. Immersion in Rome's cultural landscape and access to resources at the BSR significantly enhanced the research experience.
My body of work at the BSR sheds light on overlooked aspects of architectural history and underscores the importance of advocating for marginalized voices. By amplifying figures such as Sami Mousawi, the project contributes to a more inclusive and comprehensive narrative of architectural heritage.
