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Modelling of natural sounds by time–frequency and wavelet representations

Published online by Cambridge University Press:  04 April 2001

R. KRONLAND-MARTINET
Affiliation:
CNRS, Laboratoire de Mécanique et d’Acoustique, 31 Chemin Joseph Aiguier, 13402 Marseille cedex 20, France E-mail: [email protected]
Ph. GUILLEMAIN
Affiliation:
CNRS, Laboratoire de Mécanique et d’Acoustique, 31 Chemin Joseph Aiguier, 13402 Marseille cedex 20, France E-mail: [email protected]
S. YSTAD
Affiliation:
CNRS, Laboratoire de Mécanique et d’Acoustique, 31 Chemin Joseph Aiguier, 13402 Marseille cedex 20, France E-mail: [email protected]

Abstract

Sound modelling is an important part of the analysis–synthesis process since it combines sound processing and algorithmic synthesis within the same formalism. Its aim is to make sound simulators by synthesis methods based on signal models or physical models, the parameters of which are directly extracted from the analysis of natural sounds. In this article the successive steps for making such systems are described. These are numerical synthesis and sound generation methods, analysis of natural sounds, particularly time–frequency and time–scale (wavelet) representations, extraction of pertinent parameters, and the determination of the correspondence between these parameters and those corresponding to the synthesis models. Additive synthesis, nonlinear synthesis, and waveguide synthesis are discussed.

Type
Research Article
Copyright
© 1997 Cambridge University Press

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Footnotes

This work has been partly supported by the Norwegian Research Council.