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Electroacoustic voices in vocal performance art - a gender issue?

Published online by Cambridge University Press:  19 January 2004

Theda Weber-Lucks (TU Berlin)
Theda Weber-Lucks (TU Berlin)
Affiliation:
Ackerstr. 40, 10115 Berlin, Germany E-mail: [email protected] URL: http://www.primartic.de
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Abstract

In my dissertation Gender Perspectives in Vocal Performance Art, I examine the history and aesthetics of the genre. The core of my work is a vocal database that focuses especially on the extended vocal techniques of the natural voice. In this article, I concentrate on the electronic aspect of vocal performance art. While I provide a brief historical overview of the developments of vocal performance art and its technological developments from the 1970s to the 1990s, the central question of this article is whether gender patterns exist when these practices are combined with electronic sound technologies.

Type
Research Article
Information
Organised Sound , Volume 8 , Issue 1 , April 2003 , pp. 61 - 69
Copyright
© 2003 Cambridge University Press

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