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Published online by Cambridge University Press: 13 April 2011
1 Producing opera on audio recordings in any language has its own set of issues, for in many ways it can be seen to violate the integrity of the work by separating the aural from the visual. Nonetheless, audio recordings do serve a necessary purpose.
2 On Verdi's use of tempo, see my ‘Aspects of Tempo in Verdi's Early and Middle Period Italian Operas’, in Verdi's Middle Period: Source Studies, Analysis, and Performance Practice, ed. Chusid, Martin (Chicago: University of Chicago Press, 1997): 393–411Google Scholar.