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Sarah Collins, ed., Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge: Cambridge University Press, 2019). xiii + 254 pp. £75.00.

Published online by Cambridge University Press:  13 August 2021

Jennifer Oates
Jennifer Oates*
Affiliation:
Carroll College [email protected]
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Type
Book Review
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 1: Music, Medical Science and the Body/Retrospect Opera: Reviving Britain's Nineteenth-Century Operatic Past , April 2022 , pp. 163 - 166
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

1 Most notably McGuire, Charles Edward, Music and Victorian Philanthropy: The Tonic Sol-Fa Movement (Cambridge: Cambridge University Press, 2009)Google Scholar and Golding, Rosemary, Music and Academia in Victorian Britain (Farnham: Ashgate, 2013)Google Scholar.

2 Recent scholarship includes Matthew Riley, ‘Liberal Critics and Modern Music in the Post-Victorian Age’, in British Music and Modernism 1895–1960, ed. Matthew Riley (Farnham: Ashgate, 2010), 13–30; Weliver, Phyllis, Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (Cambridge: Cambridge University Press, 2017)CrossRefGoogle Scholar; Zon, Bennett, Evolution and Victorian Musical Culture (Cambridge: Cambridge University Press, 2017)CrossRefGoogle Scholar; Zon, Bennett, ‘Spencer, Sympathy and the Oxford School of Music Criticism’, in British Music Criticism and Intellectual Thought 1850 to 1950, ed. Dibble, Jeremy and Horton, Julian (Woodbridge: Boydell & Brewer, 2018), 38–63CrossRefGoogle Scholar.

3 Referencing George Dangerfield, The Strange Death of Liberal England, a landmark study first published in 1935.