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Published online by Cambridge University Press: 21 November 2022
1 On these topics refer to the Music in Nineteenth-Century Britain book series, edited by Bennett Zon and published by Routledge.
2 For more on this subject see Self, Geoffrey, The Hiawatha Man: The Life and Work of Samuel Coleridge-Taylor (Aldershot: Scolar Press, 1995), 74–9Google Scholar, 94–7 and 103–8.
3 The phrase ‘African Mahler’ is discussed in Sayers, W.C. Berwick, Samuel Coleridge-Taylor, Musician: His Life and Letters (London: Cassel, 1915; repr., Chicago: Afro-Am Press, 1969), 238–43Google Scholar.
4 Young, Percy M., ed., Letters to Nimrod: Edward Elgar to August Jaeger 1897–1908 (London: Dennis Dobson, 1965), 3–4Google Scholar.
5 For a recording of the work see Frederic Cohen, Symphony No. 6 in E Major, “The Idyllic”, and Samuel Coleridge-Taylor, Symphony in A Minor, Aarhus Symphony Orchestra, conducted by Douglas Bostock, The British Symphonic Collection, vol. 15 (Classico ClassCD 684, 2006).
6 Geoffrey Self, The Hiawatha Man, 145.
7 The first performance featured Gustav von Holst on trombone and Ralph Vaughan Williams on triangle.