Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-27T07:57:13.405Z Has data issue: false hasContentIssue false
  • English
  • Français

Retrospect Opera: Reviving a Forgotten Mainstream

Published online by Cambridge University Press:  02 February 2022

James Brooks Kuykendall
James Brooks Kuykendall*
Affiliation:
University of Mary Washington [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Interview
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 1: Music, Medical Science and the Body/Retrospect Opera: Reviving Britain's Nineteenth-Century Operatic Past , April 2022 , pp. 111 - 118
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 For example, Lamb, Andrew, ‘Music of the Popular Theatre’, in The Athlone History of Music in Britain: The Romantic Age 1800–1914, ed. Temperley, Nicholas (London: Athlone Press, 1981): 92–108Google Scholar; Michael Hurd, ‘Opera: 1834–1865’, in ibid., 307–29; Nigel Burton, ‘Opera: 1865–1914’, in ibid., 330–57; and Caldwell, John, The Oxford History of English Music, vol. 2 (Oxford: Oxford University Press 1999): 176–210 and 246–58Google Scholar.

2 Nicholas Temperley, ‘Musical Nationalism in English Romantic Opera’, in The Lost Chord: Essays on Victorian Music, ed. Nicholas Temperley (Bloomington: Indiana University Press, 1989): 143–58.

3 See Wiley, Christopher, ‘Music and literature: Ethel Smyth, Virginia Woolf, and “the First Woman to Write an Opera”, in Musical Quarterly 96/2 (2013): 263–95CrossRefGoogle Scholar.