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Rachmaninoff

Published online by Cambridge University Press:  13 April 2011

Michael Frith
Michael Frith
Affiliation:
Middlesex University
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Abstract

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Type
CD Reviews
Information
Nineteenth-Century Music Review , Volume 4 , Issue 2 , November 2007 , pp. 183 - 187
Copyright
Copyright © Cambridge University Press 2007

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References

1 Stravinsky, Igor and Craft, Robert, Stravinsky in Conversation with Robert Craft (Harmondsworth: Penguin, 1962Google Scholar ; originally Conversations with Igor Stravinsky, 1958): 144.

2 Ibid.: 144.

3 Dahlhaus, Carl, ‘Neo-Romanticism’, in Between Romanticism and Modernism, trans. Whittall, Mary (Berkeley, Los Angeles, London: University of California Press, 1974; pbk edition, 1989): 8, 10.Google Scholar

4 Cannata, David Butler, Introduction to Sergei Bertensson and Jay Leyda, Sergei Rachmaninoff – A Lifetime in Music (Bloomington and Indianapolis: Indiana University Press, 2001): xli/xliiGoogle Scholar . Cannata gives lists of films that use Rachmaninoff's music, music inspired by Rachmaninoff&s style and, making no claim to comprehensiveness, several of the many popular songs that are contrafacta.

5 Keefe, Simon P., ed., The Cambridge Companion to the Concerto (Cambridge: Cambridge University Press, 2005): 2.CrossRefGoogle Scholar

6 Lindeman, Stephen D., ‘The nineteenth-century piano concerto’Google Scholar ; Schneider, David E., ‘Contrasts and common concerns in the concerto 1900–1945’ both in Keefe, Cambridge Companion to the Concerto: 93–117, 139–60Google Scholar.

7 Philip, Robert, Performing Music in the Age of Recording (New Haven and London: Yale University Press, 2004): 173.Google Scholar