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Published online by Cambridge University Press: 24 May 2012
1 Michael Rabiger, Dokumentarfilmregie (Mülheim: Ed. Filmwerkstatt 2008)Google Scholar, 15; translation by the author.
2 Cf. Knut Hickethier, Film- und Fernsehanalyse, revised second edition (Stuttgart and Weimar: Metzler, 1996)Google Scholar: 178.
3 Bill Nichols, Introduction to Documentary, second edition (Bloomington: Indiana University Press, 2010): 6–7Google ScholarPubMed.
4 Lee-Wright, Peter, The documentary handbook (New York: Routledge, 2010)Google Scholar: 335.
5 There is a specific music documentary genre called ‘rockumentary’ for the non-classical music world. See Lee-Wright, The documentary handbook, 257–259Google Scholar.
6 For a general categorisation of music documentaries see Custodis, Michael, ‘Die Musikdokumentation: Typologische Bemerkungen’, in Musik im Fernsehen, ed. Peter Moormann (Wiesbaden: VS Verlag, 2010)Google Scholar, 67–82.
7 There are studies on this, based even on video recording of rehearsals; see Virtanen, Marjaana, Musical Works in the Making. Verbal and Gestural Negotiation in Rehearsals and Performances of Einojuhani Rautavaara's Piano Concerti (Turku: University of Turku, 2007)Google Scholar.