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Niccolò Paganini. 24 Capricci per Violino solo op. 1; 24 Contradanze Inglesi per Violino solo. Edited by Daniela Macchione. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2013. xviii+58 pp., violin part BA 9424, € 16,95.

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Niccolò Paganini. 24 Capricci per Violino solo op. 1; 24 Contradanze Inglesi per Violino solo. Edited by Daniela Macchione. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2013. xviii+58 pp., violin part BA 9424, € 16,95.

Published online by Cambridge University Press:  23 November 2016

Katharina Uhde
Katharina Uhde*
Affiliation:
(Valparaiso University) [email protected]
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Type
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Information
Nineteenth-Century Music Review , Volume 14 , Issue 1 , April 2017 , pp. 153 - 157
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Copyright
© Cambridge University Press 2016 

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References

1 To date the Grove Music Online article on Paganini does not list the work. See Neill, Edward, ‘Paganini, Niccolò’, Grove Music Online. Oxford Music Online (accessed 17 September 2016)Google Scholar. Also see Macchione, preface, viii, fn. 42.

2 Aldrich, Elizabeth, ‘Contredanse’, Grove Music Online. Oxford Music Online (accessed 3 September 2016)Google Scholar.

3 Macchione cites Prefumo, Danilo, Niccolò Paganini (Palermo: L’Epos, 2006): 34–35 Google Scholar.

4 Macchione cites Tibaldi-Chiesa, Maria, Paganini, la vita e l’opera (Milan: Garzanti, 1942): 410 Google Scholar.

5 Stowell, Robin, ‘Portamento (ii)’, Grove Music Online. Oxford Music Online (accessed 17 September 2016)Google Scholar.

6 Daverio, John, Robert Schumann: Herald of a “New Poetic Age” (Oxford: Oxford University Press, 1997): 94 Google Scholar.

7 Berry, Paul, Listening, Performance, and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014): 76 CrossRefGoogle Scholar. Berry cites Schumann, Robert, Tagebücher, ed. Georg Eismann and Gerd Nauhaus (Basel and Frankfurt: Stroemfeld and Roter Stern, 1971–82): I: 379, I: 405–406 Google Scholar.

8 Joachim, Johannes and Moser, Andreas, eds, Briefe von und an Joseph Joachim (Berlin: Julius Bard, 1911), I: 6 Google Scholar, letter from Joachim to David of 12 April 1847. ‘Ernst spielte die Gesangsscene nicht getreu; er … ließ die schönen Modulationen der Passage im Allegro (in F) ganz aus, machte am Ende eines jeden Solos im Allegro ganz moderne Schlüsse, machte den Staccatolauf in Terzen, wodurch er genötigt war, die Passage etwas gemäßigter zu nehmen. Ich … finde, dass er unvergleichlich größer als Virtuose, Künstler und Mensch ist wie [sic] Sivori’.

9 Noguera, Flavio Menardi, ‘Sivori, Camillo’, Grove Music Online. Oxford Music Online (accessed 20 September 2016)Google Scholar.