Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T18:52:26.704Z Has data issue: false hasContentIssue false
  • English
  • Français

Matthew Brown Debussy Redux: The Impact of His Music on Popular Culture (Bloomington, IN: Indiana University Press, 2012). x + 240 pp. £24.00.

Published online by Cambridge University Press:  01 April 2014

David J. Code
David J. Code*
Affiliation:
University of [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 11 , Issue 2 , December 2014 , pp. 311 - 315
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Long, Michael, Beautiful Monsters: Imagining the Classic in Musical Media(Berkeley: University of California Press, 2008)Google Scholar.

2 Abrams, Meyer Howard, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Oxford: Oxford University Press, 1953)Google Scholar.

3 Rosemary Brown (1916–2001) achieved fame in the 1960s and 1970s due to her claim that several famous composers were dictating new compositions to her from beyond the grave.

4 Dutton, Denis, ‘Of Human Accomplishment’, The New Criterion 22/6 (February 2004)Google Scholar: 35.

5 Abrams, The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 6. I compress slightly.

6 Abrams, , The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 180 Google Scholar.

7 Abrams, , The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 6 Google Scholar.

8 See Portrait of Jennie, (c) ABC Motion Pictures 1948; DVD reissue (c) Pearson Television, 2001.

9 See my ‘The Formal Rhythms of Mallarmé's Faun’, Representations 86 (Spring 2004): 73–119.

10 ‘Hearing Debussy Reading Mallarmé: Music après Wagner in the Prélude à l'après-midi d'un faune’, JAMS54/3 (2001): 493–554.

11 See Allegro non troppo, directed by Bruno Bozzetto, (c) Madman films, 1977 (DVD 2005).

12 Baudelaire, Charles, The Painter of Modern Life and Other Essays, ed. and trans. Jonathan Mayne (London: Phaidon, 1964): 9–11 Google Scholar.

13 For both see Lesure, François, Claude Debussy: Biographie Critique (Paris: Klincksieck, 1994): 422Google Scholar.