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1 We have Liszt's own words from 1875 to support this. See Gibbs, Christopher H. and Gooley, Dana (eds), Franz Liszt and his World (Princeton, NJ, and Oxford: Princeton University Press, 2006): 406Google Scholar.
2 I have a small quibble here though: these three works do not work as effectively outside the context of the Années II. As songs they had a different order, key and therefore developmental logic. I wish we had a full recording of the Italian cycle, but then this is enough to be thankful for.
3 See Brendel's 1968 Vanguard recording, Szidon's 1973 Deutsche Gramophone and Sziffra's 1975 EMI.