Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-26T19:52:54.507Z Has data issue: false hasContentIssue false
  • English
  • Français

Fryderyk Chopin. Polonaises, Op. 40: Facsimile Edition of the Manuscript Held in the British Library in London, commentary by Zofia Chechlinska. Facsimile Edition A VI/40 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 12 and 55 pp. € 67. - Fryderyk Chopin. Mazurka in A flat major: Facsimile Edition of the Manuscript Held in the Bibliothèque Polonaise in Paris (MAM Rkp. 973), commentary by Irena Poniatowska. Facsimile Edition A IV/WN 45 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 2 and 92 pp. € 48.

Review products

Fryderyk Chopin. Polonaises, Op. 40: Facsimile Edition of the Manuscript Held in the British Library in London, commentary by Zofia Chechlinska. Facsimile Edition A VI/40 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 12 and 55 pp. € 67.
Fryderyk Chopin. Mazurka in A flat major: Facsimile Edition of the Manuscript Held in the Bibliothèque Polonaise in Paris (MAM Rkp. 973), commentary by Irena Poniatowska. Facsimile Edition A IV/WN 45 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 2 and 92 pp. € 48.

Published online by Cambridge University Press:  15 March 2017

Deirdre Loughridge
Deirdre Loughridge*
Affiliation:
Northeastern [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Score Review
Information
Nineteenth-Century Music Review , Volume 14 , Issue 2 , August 2017 , pp. 283 - 286
Check for updates
Copyright
© Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Samson, Jim, ‘An Unknown Chopin Autograph’, Musical Times, vol. 27, no. 1720 (June 1986): 376–378 CrossRefGoogle Scholar.

2 ‘Editorial Note’ in Polonaises, p. 50. On the relationship between facsimiles and accessing composers’ intentions, see Loughridge, Deirdre, ‘Making, Collecting and Reading Music Facsimiles Before Photography’, Journal of the Royal Musical Association 141/1 (2016): 27–59 CrossRefGoogle Scholar, esp. 58.