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Dorottya Fabian, Renee Timmers and Emery Schubert, eds, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Oxford: Oxford University Press, 2014). xxx + 383 pp. £55.00.

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Dorottya Fabian, Renee Timmers and Emery Schubert, eds, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures (Oxford: Oxford University Press, 2014). xxx + 383 pp. £55.00.

Published online by Cambridge University Press:  04 August 2016

Georgia Volioti
Georgia Volioti*
Affiliation:
University of [email protected]
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Abstract

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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 13 , Issue 2 , December 2016 , pp. 335 - 340
Copyright
© Cambridge University Press 2016 

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References

1 See Cook, Nicholas, Beyond the Score: Music as Performance (Oxford: Oxford University Press, 2013)Google Scholar.

2 Hosted at the University of Cambridge and funded by the UK Arts and Humanities Research Council, the research focus of the CMPCP has been largely collaborative and interdisciplinary. For the range of research projects, see www.cmpcp.ac.uk/.

3 See Born, Georgina, ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn’, Journal of the Royal Musical Association 135/2 (2010): 205–243 CrossRefGoogle Scholar.

4 See, for example, Massumi, Brian, ‘The Autonomy of Affect’, Cultural Critique 31 (1995): 83–109 CrossRefGoogle Scholar.

5 Leech-Wilkinson, Daniel, ‘Sound and Meaning in Recordings of Schubert’s “Die junge Nonne”’, Musicae Scientiae 11/2 (2007): 209–236 CrossRefGoogle Scholar, see esp. 209 and 230.

6 Desain, Peter and Honing, Henkjan, ‘Tempo Curves Considered Harmful’, Contemporary Music Review 7/2 (1993): 123–138 CrossRefGoogle Scholar.

7 Fabian, Dorottya, A Musicology of Performance: Theory and Method Based on Bach’s Solos for Violin (Cambridge, UK: Open Book Publishers, 2015)CrossRefGoogle Scholar.

8 See Repp, Bruno, ‘Pattern Typicality and Dimensional Interactions in Pianists’ Imitation of Expressive Timing and Dynamics’, Music Perception 18 (2000): 173–211 CrossRefGoogle Scholar; and Lisboa, Tânia, Williamon, Aaron, Zicari, Massimo, and Eiholzer, Hubert, ‘Mastery Through Imitation: A Preliminary Study’, Musicae Scientiae 9/1 (2005): 75–110 Google Scholar.

9 For a comprehensive cross-disciplinary literature review, see Weidman, Amanda, ‘Anthropology and Voice’, Annual Review of Anthropology 43 (2014): 37–51 CrossRefGoogle Scholar.