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Chopin on Pleyel 1847 - Hubert Rutkowski pf Piano Classics 10129, 2018 (1 CD: 63 minutes)

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Hubert Rutkowski pf Piano Classics 10129, 2018 (1 CD: 63 minutes)

Published online by Cambridge University Press:  07 June 2019

Stefan Sunandan Honisch
Stefan Sunandan Honisch*
Affiliation:
University of [email protected]
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Type
CD Review
Information
Nineteenth-Century Music Review , Volume 18 , Special Issue 1: The Digital Humanities and Nineteenth-Century Music , April 2021 , pp. 163 - 166
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Copyright
Copyright © Cambridge University Press 2019

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References

1 Winter, Robert, ‘The Most Unwitting Foes of the Romantic Piano May Be Those Well-Intentioned Curators Who Lend Their Instruments for Recording Sessions’ Early Music 12 (1984): 21–5CrossRefGoogle Scholar.

2 Winter, Robert, ‘Orthodoxies, Paradoxes, and Contradictions: Performance Practices in Nineteenth Century Piano Music’, in Nineteenth-Century Piano Music, ed. Todd, R. Larry (New York: Routledge, 2004), 16–54Google Scholar. On interpretive authenticity and its relationship to oral tradition and pianistic lineage in the music of Chopin, see Taruskin, Richard, Text and Act: Essays in Music and Performance (New York: Oxford University Press): 180–81Google Scholar.

3 Naomi Cumming, The Sonic Self: Musical Subjectivity and Signification (Bloomington: Indiana University Press), 258–62.

4 Cook, Nicholas, ‘Between Art and Science: Music as Performance’, Journal of the British Academy 2 (2013): 15Google Scholar.

5 Winter, ‘Orthodoxies, Paradoxes, and Contradictions’, 28.

6 Samson, Jim, ‘Chopin, Past and Present’, Early Music 29 (2001): 382CrossRefGoogle Scholar.

7 Bellman, Jonathan, ‘Chopin and His Imitators: Notated Emulations of the “True Style” of Performance’, 19th-Century Music 24 (2000): 160CrossRefGoogle Scholar.