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Aleksandr Porfir'yevich Borodin, Knyaz’ Igor’ [Prince Igor], edited by A. V. Bulycheva (Moscow: Classica-XXI, 2012), Piano Score, ISMN 979-0-706365-44-2. [PB 10159]

Published online by Cambridge University Press:  06 January 2014

Laura E. Kennedy
Laura E. Kennedy*
Affiliation:
Furman [email protected]
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Type
Score Reviews
Information
Nineteenth-Century Music Review , Volume 10 , Issue 2 , December 2013 , pp. 387 - 390
Copyright
Copyright © Cambridge University Press 2013 

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References

1 Glazunov, Alexandr, ‘Zapiska A. K. Glazunova o redaktsii “Knyazya Igorya” Borodina’ [Note by A. K. Glazunov on the editing of Borodin's Prince Igor], Russkaya muzykal'naya gazyetta [Russian Musical Gazette] 3 (1896): 155–160Google Scholar

Abraham, Gerald, ‘The History of “Prince Igor”’, in On Russian Music: Critical and Historical Studies of Glinka's Operas, Balakirev's Works, etc., with Chapters Dealing with Compositions by Borodin, Rimsky-Korsakov, Tchaikovsky, Mussorgsky, Glazunov, and Various Other Aspects of Russian Music (London: Reeves, 1939)Google Scholar

Taruskin, Richard, On Russian Music (Berkeley: University of California Press, 2009): 185Google Scholar

2 Taruskin, On Russian Music, 185Google Scholar

3 Anna Bulycheva, Preface to Borodin, Prince Igor, 5.

4 Ibid.

5 Ibid.

6 Abraham was one of the first to document the opera's genesis and publication history. His essay ‘The History of “Prince Igor”’ first appeared in Music & Letters 16/2 (April 1935): 85–95, and was subsequently republished in his collected essays On Russian Music.

7 Oldani, Robert W., ‘Borodin, Aleksandr Porfir'yevich’, in Grove Music Online, accessed 1 June 2013Google Scholar

8 Glazunov's article was translated and reproduced in full in Gerald Abraham's essay ‘The History of “Prince Igor”’, 165–8; see also fn. 1.

9 Abraham, On Russian Music, 167Google Scholar

10 Ibid., 166.

11 Bulycheva, preface to Borodin, Prince Igor, 6.

12 Taruskin, On Russian Music, 185Google Scholar