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Simon Williams, Wagner and the Romantic Hero (Cambridge: Cambridge University Press, 2004). 193 pp. $85

Published online by Cambridge University Press:  13 April 2011

Jeongwon Joe
Jeongwon Joe
Affiliation:
University of Cincinnatti, College-Consevatory of Music
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Abstract

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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 4 , Issue 2 , November 2007 , pp. 163 - 166
Copyright
Copyright © Cambridge University Press 2007

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References

1 Brecht, Bertolt, Brecht on Theatre: The Development of an Aesthetic, ed. and trans. Willett, John (New York: Hill and Wang, 1964): 38Google Scholar and 94.

2 Brecht, Bertolt, Life of Galileo, trans. Willett, John (New York: Arcade, 1994): 98.Google Scholar

3 Nattiez, Jean-Jacques, Wagner Androgyne: A Study in Interpretation, trans. Spencer, Stewart (Princeton, NJ: Princeton University Press, 1993): 291.Google Scholar

4 Emslie, Barry, ‘Woman as Image and Narrative in Wagner's Parsifal: A Case Study’, Cambridge Opera Journal 3 (July 1991): 121.CrossRefGoogle Scholar

5 Quoted in Wagner, Cosima, Cosima Wagner's Diaries, 2 vols, ed. Gregor-Dellin, Martin and Mack, Dietrich, trans. Skelton, Geoffrey (New York and London: Harcourt Brace Jovanovich, 1977): II, 499.Google Scholar

6 Linda, and Hutcheon, Michael, Opera: The Art of Dying (Cambridge, MA: Harvard University Press, 2004).Google Scholar

7 Žižek, Slavoj and Dolar, Mladen, Opera's Second Death (New York: Routledge, 2002).Google Scholar