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Published online by Cambridge University Press: 28 March 2016
1 Messing, Scott, Schubert in the European Imagination, Volume I: The Romantic and Victorian Eras, Volume II: Fin-de-Siècle Vienna (Rochester: University of Rochester Press, 2006 and 2007)Google Scholar.
2 On this see , Frisch ‘“You Must Remember This”: Memory and Structure in Schubert’s String Quartet in G Major, D.887’, Musical Quarterly, 84/4 (2000): pp. 582–603 Google Scholar; Gingerich, , ‘Remembrance and Consciousness in Schubert’s C-Major String Quintet, Musical Quarterly, 84/4 (2000): pp. 619–634 CrossRefGoogle Scholar, and , Burnham, ‘Schubert and the Sound of Memory’ Musical Quarterly, 84/4 (2000): pp. 655–663 Google Scholar.
3 Steiner, George, Real Presences: Is There Anything in What We Say? (London: Faber & Faber, 1989), p. 39 Google Scholar
4 Adorno, Theodor W., ‘Schubert (1928)’, trans. Jonathan Dunsby and Beate Perrey, 19 th -Centry Music, 29/1 (2005): 3–14 CrossRefGoogle Scholar, here 14, cited in Messing, p. 210.
5 Bie, Oscar, Franz Schubert: Sein Leben und sein Werk (Berlin: Ullstein, 1925), p. 64 Google Scholar, trans. Messing, p. 209.
6 Kerman, Joseph, ‘A Few Canonic Variations’, Critical Inquiry, 10/1 (1983): 107–125 CrossRefGoogle Scholar; p. 114, cited in Messing, p. 204.