Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-28T07:07:55.519Z Has data issue: false hasContentIssue false

Mieczysław Tomaszewski, Chopin: The Man, his Work, and Its Resonance, trans. John Comber (Warsaw: The Fryderyk Chopin Institute, 2015). 924 pp. € 60.00.

Review products

Mieczysław Tomaszewski, Chopin: The Man, his Work, and Its Resonance, trans. John Comber (Warsaw: The Fryderyk Chopin Institute, 2015). 924 pp. € 60.00.

Published online by Cambridge University Press:  06 August 2018

Jonathan D. Bellman*
Affiliation:
University of Northern [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
© Cambridge University Press 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Tomaszewski, Mieczysław, Frédéric Chopin und seine Zeit (Laaber: Laaber Verlag, 1999)Google Scholar.

2 Niecks, Frederick, Frederick Chopin, as a Man and Musician, 2 vols ([1888] 3e, London: Novello, 1902)Google Scholar.

3 Samson, Jim, Chopin, The Master Musicians Series (Oxford: Oxford University Press, 1997)Google Scholar.

4 Eigeldinger, Jean-Jacques, Chopin vu par ses élèves (Neuchâtel: La Baconnière, 1970 Google Scholar; 5th ed. Paris: Fayard, 2006).

5 Eigeldinger, Jean-Jacques, Chopin: Pianist and Teacher as seen by his pupils, trans. Naomi Shohet, Krysia Osotowocz and Roy Howat (Cambridge: Cambridge University Press, 1986)Google Scholar.

6 This entire section can be found on the website of Poland’s National Chopin Institute: http://en.chopin.nifc.pl/chopin/life/calendar/year/1810 (accessed 25 May 2018).

7 See Eigeldinger, Chopin: Pianist and Teacher as seen by his pupils, 142, n. 157.

8 Jeffrey Kallberg, ‘The Rhetoric of Genre: Chopin’s Nocturne in G Minor’, 19 th -Century Music 11/3 (1988), 243ff.; this article subsequently became part of the same author’s Chopin at the Boundaries: Sex, History, and Musical Genre (Cambridge, MA: Harvard University Press, 1996).